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    John Adams

     b. 1947Photo credit: Margaretta Mitchell

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    John Adams has harnessed the rhythmic energy of Minimalism to the harmonies and orchestral colours of late-Romanticism * Brought contemporary history to the opera house with his post-modern operatic works Nixon in China (1987), The Death of Klinghoffer (1991), and Doctor Atomic (2005) * Has addressed urgent social issues with passion and empathy, both in his operas and in such works as I Was Looking at the Ceiling and then I Saw the Sky, El Dorado and The Wound-Dresser * His works are much favored by choreographers, with multiple ballet versions of Fearful Symmetries * Winner of the 1995 Grawemeyer Award for Violin Concerto * Series of recordings on the Nonesuch label * A recent survey shows him to be the most frequently performed living American composer of orchestral music.

    Works by John Adams include:
    Short Ride in a Fast Machine (1986) for orchestra
    Violin Concerto (1993)
    Son of Chamber Symphony (2007) for chamber ensemble
    El Niño (1999–2000) for soprano, mezzo-soprano, baritone, three counter-tenors, chorus, optional children's chorus and orchestra.
    The Gospel According to the Other Mary (2011) for orchestra, chorus and soloists

    John Adams is represented as a conductor in North America by Ed Yim in association with IMG Artists and in Europe by Jane Brown of Harrison Parrott.

    Also visit the John Adams website at www.earbox.com.

    Looking ahead: John Adams’s The Death of Klinghoffer sees performances in California at Long Beach Opera in March 2014. The Metropolitan Opera has also announced that The Death of Klinghoffer will be a part of its 2014–15 season. May 2014 features the French premieres of both Doctor Atomic and A Flowering Tree (staged) at the Opéra national du Rhin and the Théâtre du Châtelet, respectively. Scheherazade.2, a new work for violin and orchestra written for Leila Josefowicz, will be premiered by the New York Philharmonic in 2014–15.

    "Whenever serious art loses track of its roots in the vernacular, then it begins to atrophy." — John Adams



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