Stravinsky, Igor: Petrushka (Petrouchka) (1910-11, rev.1946-47) 35'
Burlesque in four scenes
Music Text Deutsch
Scenario by Igor Stravinsky and Alexandre Benois
Scoring
original version:4(III,IV=picc).4(IV=corA).4(IV=bcl).4(IV=dbn)-4.2.2crt.3.1-timp.perc(7):xyl/tam-t/tamb/tambourin/BD/glsp/tgl/cyms/SD-cel-pft-2harps-strings; revised version:3(III=picc).2.corA.3(III=bcl).2.dbn-4.3.3.1-timp.perc(4):xyl/cyms/tam-t/tgl/BD/SD/tamb-harp-cel-pft-strings
World Premiere
6/13/1911
Théâtre du Châtelet, Paris
Michel Fokine, choreographer / Ballets Russes / Orchestre du Théâtre du Châtelet / Pierre Monteux
Repertoire Note
Stravinsky first envisioned "a puppet suddenly endowed with life, exasperating the patience of the orchestra with diabolical cascades of arpeggi." The puppet became Petrushka, the Slavic Pierrot – in Stravinsky's works, "the immortal and unhappy hero of every fair in all countries." As theater, Petrushka is both comic and harrowing. In concert, the four scenes of the ballet are typically performed complete – but are readily compressed. According to Eric Walter White: "When a shorter version is preferred, one can start with the Legerdemain Scene in Scene One followed by the Russian Dance and Scenes Two and Four. In order to shorten the final movement, Stravinsky occasionally authorized the use of the special nine-bar concert ending after the Masqueraders' Scene."
Reproduction Rights
This programme note can be reproduced free of charge in concert programmes with a credit to Boosey & Hawkes/Joseph Horowitz.
News stories for this title :
Igor Stravinsky: new Petrushka website launched in centenary year
Burlesque in four scenes
Music Text Deutsch
Scenario by Igor Stravinsky and Alexandre Benois
Scoring
original version:4(III,IV=picc).4(IV=corA).4(IV=bcl).4(IV=dbn)-4.2.2crt.3.1-timp.perc(7):xyl/tam-t/tamb/tambourin/BD/glsp/tgl/cyms/SD-cel-pft-2harps-strings; revised version:3(III=picc).2.corA.3(III=bcl).2.dbn-4.3.3.1-timp.perc(4):xyl/cyms/tam-t/tgl/BD/SD/tamb-harp-cel-pft-strings
World Premiere
6/13/1911
Théâtre du Châtelet, Paris
Michel Fokine, choreographer / Ballets Russes / Orchestre du Théâtre du Châtelet / Pierre Monteux
Repertoire Note
Stravinsky first envisioned "a puppet suddenly endowed with life, exasperating the patience of the orchestra with diabolical cascades of arpeggi." The puppet became Petrushka, the Slavic Pierrot – in Stravinsky's works, "the immortal and unhappy hero of every fair in all countries." As theater, Petrushka is both comic and harrowing. In concert, the four scenes of the ballet are typically performed complete – but are readily compressed. According to Eric Walter White: "When a shorter version is preferred, one can start with the Legerdemain Scene in Scene One followed by the Russian Dance and Scenes Two and Four. In order to shorten the final movement, Stravinsky occasionally authorized the use of the special nine-bar concert ending after the Masqueraders' Scene."
Reproduction Rights
This programme note can be reproduced free of charge in concert programmes with a credit to Boosey & Hawkes/Joseph Horowitz.
News stories for this title :
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