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FEATURED COMPOSERS
Vivier, ClaudeGlaubst du an die Unsterblichkeit der Seele (Crois-tu en l‘immortalité de l‘âme?) (1982-83) 8'
for voices, narrator, 3 synthesizers, 2 percussionists and electronics

Music Text  
Claude Vivier (G-F-imaginary language)

Scoring
SATB chorus (triple divisi); perc(2):Thai gongs/glsp/tam-t; tam-t/Chinese gong/2BD-3synth.
Abbreviations (PDF).

Territory
This work is available from Boosey & Hawkes for the world.

World Premiere
4/20/1990
Ensemble vocal Tudor de Montréal, Montréal, QC
Ensemble SMCQ / Walter Boudreau


Composer's Notes      Deutsch    Français
(Excerpted from a letter written to Thérèse Desjardins while the composer was in Paris, January 7, 1983. The program note below references the composer foreseeing his possible death.)

“…I continued my work with some kind of marvelous serenity. I compose more slowly because I have more and more notes of my music to write! I have just completed the first six minutes of Crois-tu en l’immortalité de l’âme. It is almost ‘dripping’ [as in the painting technique] that I am doing! The whole piece uses two poles: mobility and immobility! Here is a text that I use in a motionless part:

I was cold, it was winter
Well, I thought I was cold
Maybe I was cold.
Yet God had told me I would be cold.
Maybe I was dead.
It wasn’t so much death
That scared me, but dying
Suddenly I was cold
Very cold, or I felt cold.
The night had fallen and I was scared.


I think it is a very beautiful text for this piece I am composing at the moment…”

— Claude Vivier

Reproduction Rights:
This program note may be reproduced free of charge in concert programs with a credit to the composer.




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