Glanert, Detlev: Drei Gesänge aus "Carmen" von Wolf Wondratschek (Sinfonie Nr.2) (Three Songs from "Carmen" by Wolf Wondratschek (Symphony No.2)) op. 21 (1988-1990) 29'
for baritone and large orchestra
Music Text
Wolf Wondratschek (G)
Scoring
4(I=afl,II,III,IV=picc).3.corA.3.bcl.4(IV=dbn)-6.4.4.1-timp-perc(8-10):anvil/whip/log dr/tam-t(sm,med,lg)/t.bells/BD/glsp/whip/crot/gongs(B,D,E,F,A)/cast/SD/cym/tgl/5tom-t/susp.cym(sm,med,lg)/TD/6wdbl/hi-hat/hammer/broken glass/vib/watergong/maracas/sizzle cym/xyl/wind machine/stones/sound of water/thundersheet(lg)-harp-pft(=cel)-strings
World Premiere
5/9/1990
Philharmonie am Gasteig, München
Andreas Scheibner, baritone / Münchner Philharmoniker / Paul Daniel
Programme Note Deutsch
A very slow composition process, lasting over two years with occasional bursts of creative activity, produced a complicated score for baritone and a large orchestra which initially had no prospect of being performed. The voice sings of a great love which is over. Here sadness, aggression, memories, quotations and poetry combine to produce a symphonic scenerey, a psychological sound theatre with instruments; the words form the foundations. The musical architecture is constructed on two tone formulae which repeatedly produce new forms with proliferations and deviations.
Thomas Tangler
Recommended Recording
Andreas Scheibner (bar) / Münchner Philharmoniker / Paul Daniel
WER 6522-2

for baritone and large orchestra
Music Text
Wolf Wondratschek (G)
Scoring
4(I=afl,II,III,IV=picc).3.corA.3.bcl.4(IV=dbn)-6.4.4.1-timp-perc(8-10):anvil/whip/log dr/tam-t(sm,med,lg)/t.bells/BD/glsp/whip/crot/gongs(B,D,E,F,A)/cast/SD/cym/tgl/5tom-t/susp.cym(sm,med,lg)/TD/6wdbl/hi-hat/hammer/broken glass/vib/watergong/maracas/sizzle cym/xyl/wind machine/stones/sound of water/thundersheet(lg)-harp-pft(=cel)-strings
World Premiere
5/9/1990
Philharmonie am Gasteig, München
Andreas Scheibner, baritone / Münchner Philharmoniker / Paul Daniel
Programme Note Deutsch
A very slow composition process, lasting over two years with occasional bursts of creative activity, produced a complicated score for baritone and a large orchestra which initially had no prospect of being performed. The voice sings of a great love which is over. Here sadness, aggression, memories, quotations and poetry combine to produce a symphonic scenerey, a psychological sound theatre with instruments; the words form the foundations. The musical architecture is constructed on two tone formulae which repeatedly produce new forms with proliferations and deviations.
Thomas Tangler
Recommended Recording
Andreas Scheibner (bar) / Münchner Philharmoniker / Paul Daniel
WER 6522-2

Mailing List
Sign up for news updates and offers via email
SIGN UPFeatured Publication
Britten: War Requiem
Britten's pacifist masterwork, combining war poetry by Wilfred Owen with the Latin Requiem Mass, is included in the Masterworks Library of full scores, ideal for conductors, students and music lovers.
READ MORE


