Stravinsky, Igor: Ebony Concerto (1945) 11'
for solo clarinet and jazz ensemble
Scoring
2asax.2tsax.barsax.bcl-hn.5tpt.3trbn-pft-harp-guitar-perc-db.
Abbreviations (PDF).
Territory
This work is available from Boosey & Hawkes for the USA and Canada only.
Repertoire Note
Composed for Woody Herman and his band, whose recordings of Bijou, Goosey Gander, and Caledonia Stravinsky especially admired, the vividly characterful Ebony Concerto – by turns bluesy and rambunctious -- is in Eric Walter White's opinion "the most ambitious and most successful of [Stravinsky's] various flirtations with jazz." Alexandre Tansman, upon observing Stravinsky simultaneously at work on the Ebony Concerto and Symphony in Three Movements, wrote: "It was with surprise as well as intense admiration that I saw the greatest composer of our age, and one of the greatest of all times, put himself to school like a student to study this new problem, trying to extract all the latent possibilities from this new combination of instruments, working away at it with the same conscientious concentration that he had applied a few months previously to his great Symphony."
Reproduction Rights
This programme note can be reproduced free of charge in concert programmes with a credit to Boosey & Hawkes/Joseph Horowitz.
for solo clarinet and jazz ensemble
Scoring
2asax.2tsax.barsax.bcl-hn.5tpt.3trbn-pft-harp-guitar-perc-db.
Abbreviations (PDF).
Territory
This work is available from Boosey & Hawkes for the USA and Canada only.
Repertoire Note
Composed for Woody Herman and his band, whose recordings of Bijou, Goosey Gander, and Caledonia Stravinsky especially admired, the vividly characterful Ebony Concerto – by turns bluesy and rambunctious -- is in Eric Walter White's opinion "the most ambitious and most successful of [Stravinsky's] various flirtations with jazz." Alexandre Tansman, upon observing Stravinsky simultaneously at work on the Ebony Concerto and Symphony in Three Movements, wrote: "It was with surprise as well as intense admiration that I saw the greatest composer of our age, and one of the greatest of all times, put himself to school like a student to study this new problem, trying to extract all the latent possibilities from this new combination of instruments, working away at it with the same conscientious concentration that he had applied a few months previously to his great Symphony."
Reproduction Rights
This programme note can be reproduced free of charge in concert programmes with a credit to Boosey & Hawkes/Joseph Horowitz.
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