Commissioned by CBS television, The Flood conflates the Creation with the story of Noah's ark. Stravinsky: "Why did I call my work The Flood, instead of Noah? Because Noah is mere history. As a genuine antediluvian he is a great curiosity, but a sideshow curiosity. And even as 'eternal man,' the second Adam, the – to Augustinians – Old Testament Christ image, he is less important than the Eternal Catastrophe. The Flood is also The Bomb." God, impressively strange, is sung by two basses, Lucifer by a tenor; there is also a Caller (for the animal parade) and a Narrator. Stravinsky called the "musical speed" of The Flood "cinematographic;" writing for television, he eagerly dispensed with "the afflatus of overtures, connecting episodes, curtain music."
Reproduction Rights This programme note can be reproduced free of charge in concert programmes with a credit to Boosey & Hawkes/Joseph Horowitz.
Peter Hall, David Wilson-Johnson, Stephen Richardson, Michael Berkeley, Bernard Jacobson, Lucy Shelton, London Sinfonietta, Oliver Knussen Deutsche Grammophon E4470682