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Adams, JohnEros Piano (1989) 15'
for piano and orchestra or chamber orchestra

Scoring
2(I,II=picc).2.2(II=bcl).2-2.0.0.0-perc(1):vib/crot/maracas-synth(opt)-strings(minimum:6.6.4.4.2)

This work requires additional technological components and/or amplification.
For complete technical specifications go to: mhgrey.wordpress.com.
Abbreviations (PDF).

Territory
This work is available from Boosey & Hawkes for the world.

World Premiere
11/24/1989
London, Queen Elizabeth Hall
Paul Crossley, piano / London Sinfonietta / John Adams


Composer's Notes  
Eros Piano is a quiet, dreamy soliloquy for piano, played against a soft, lush fabric of orchestral screens and clusters. It was a direct response on my part to a piece by Toru Takemitsu, riverrun, that I had heard in a performance by the English pianist Paul Crossley. I met Takemitsu once when he visited my home in Berkeley with his wife. At first he struck me as a small, delicate and refined man, guarded and painfully shy. But as the evening wore on I saw him become more relaxed and convivial. An easy effusiveness emerged, revealing a sly, sardonic sense of humor that seemed to know no point of exhaustion, forcing me at 3 AM to beg off and retreat to bed. Among the things we discovered we had in common was a love for the jazz piano style of Bill Evans. I wrote Eros Piano as a tribute to Takemitsu, to Bill Evans, and also to Paul Crossley, whose exquisitly balanced sense of color and attack in music by Debussy, Ravel, Messiaen and Takemitsu reminded me so strongly of that of Bill Evans.


Reproduction Rights:
This programme note can be reproduced free of charge in concert programmes with the following credit line:
reprinted with kind permission of www.earbox.com

Recommended Recording
Paul Crosley, piano / Orchestra of St. Luke's / John Adams
Elektra / Nonesuch 7559-79249-2






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