A theatre piece for singers, players, and dancers
Libretto from the liturgy of the Roman Mass, with additional texts by Stephen Schwartz and the composer (L,E)
Celebrant (lead solo); soloists (ca.20 from Street People); SATB robed choir (ca.60); boys' choir (ca.20 with boyS solo); Street People (ca.45 singer-dancers) Stage orchestra (in costume, acting as cast members): 2(I,II=picc).2(II=corA).3(=3sax(SAT)/Ebcl/bcl).2(II=dbn)-188.8.131.52-perc(2):2sets of traps/bongos/tpl.bl/finger cyms/glsp/2tambs-street perc:claves/bottles/gourds/3steel dr/tin cans/tambs-2elec.guitars-bass guitar-2elec.kybds Pit orchestra: harp-2Allen org-timp.perc(3-4):cel/vib/glsp/marimba/xyl/chimes/SD/TD/ BD/bongos/4tuned dr/susp.cyms/cyms/tgl/tpl.bl/tamb/tam-t/wdbl/anvil/2cowbells-strings-pre-recorded tape
This work is available from Boosey & Hawkes for the world.
For full details on this stagework, including synopsis and roles, please visit our Opera section.
Kennedy Center, Washington, DC
Alvin Ailey, choreographer / Gordon Davidson, director / Maurice Peress
“…"Mass" re-emerged as the moving and visionary piece it's always been -- arguably the best thing Bernstein ever wrote.”
The Washington Post
“Bernstein left nothing of himself out of “Mass,” and like the man who wrote it, the piece demands to be noticed. …beneath the original dramatic conception, the creative exuberance, the showbiz glitter and the ear-catching set numbers is a sophisticated, carefully controlled piece of musical craftsmanship that repays close scrutiny. …Yes, Bernstein could manipulate a 12-tone row with the best of them.
“…[an] extravagant, exuberant and endlessly inventive creation…”
The New York Times
Jubilant Sykes, Marin Alsop, Baltimore Symphony Orchestra Naxos
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