Magnus Lindberg: reviews of Violin Concerto No.2(February 2016)
Recent Magnus Lindberg premieres have included Violin Concerto No.2, now being toured internationally by Frank Peter Zimmermann, and the concert-opener Vivo composed to launch Carnegie Hall's 125th season.
"…a new spin on this old form… it proved to be a bigger-boned, more expansive utterance than his first… it reminded us why Lindberg is the go-to composer for many orchestras in search of a user-friendly premiere. It gave an agreeable sense that modernist abstraction doesn’t have to be penitentially austere, in fact it can be made to sound positively gorgeous. The very opening made the point. Zimmerman launched things by flinging out three chords which opened outwards like a fan. The orchestra continued this idea, a dense chord radiating outwards from the centre. It was a pure abstract gesture, of the kind Bartók would have appreciated. But in terms of sound it was closer to the ripe romanticism of Berg’s famous violin concerto…"
"…there is no lack of technical discipline. The atmosphere, though, is brooding… a panoramic vista opens up of dark clouds over forests and lakes, of repressed passions and baleful desires."
This season also brought the premiere of Lindberg’s Vivo, a six-minute concert opener commissioned for Carnegie Hall’s 125th season gala by the New York Philharmonic. The New York Times described how "as an overture Vivo is an exhilarating tease" beginning "with a brassy yet quizzical flourish of riffs" that "then takes off in swirling stretches that swell, crest and overlap".
Spring highlights include the Clarinet Concerto with Martin Fröst at the Philharmonie in Berlin on 24 April, and the French premiere of GRAFFITI with Radio France forces conducted by Mikko Franck at the Paris Philharmonie on 17 June.
> Further information on Work: Violin Concerto No.2
Photo: Hanya Chlala/ArenaPAL
> News Search