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Contents | |
| Ah, Belinda! I am prest with torment | |
| Alleluia | |
| Blessed Virgin's Expostulation |  |
| But ere we this perform | |
| Come away, fellow sailors | |
| Dialogue of Corydon and Mopsa | |
| Evening Hymn | |
| Fairest Isle | |
| Fear no danger to ensue | |
| Hark the ech'ing air | |
| How blest are shepherds | |
| I attempt from love's sickness | |
| I spy Celia | |
| I take no pleasure | |
| If music be the food of love (1st version) | |
| If music be the food of love (3rd version) | |
| I'll sail upon the Dog-star | |
| In the black dismal dungeon of despair | |
| Job's Curse | |
| Let sullen discord smile | |
| Lord, what is man | |
| Lost is my quiet | |
| Mad Bess | |
| Man is for the woman made | |
| Morning Hymn | |
| No, resistance is but vain | |
| No, resistance is but vain | |
| Not all my torments | |
| Oft she visits this lov'd mountain | |
| On the brow of Richmond Hill | |
| Pious Celinda | |
| Pursue thy conquest, love | |
| Queen's Epicedium | |
| Saul and the Witch at Endor | |
| Shake the cloud from off your brow | |
| Shake the cloud from off your brow | |
| Shepherd, leave decoying | |
| So when the glittering Queen of Night | |
| Sound fame thy brazen trumpet | |
| Sound the trumpet | |
| Sweeter than roses | |
| Take not a woman's anger ill | |
| Thanks to these lonesome vales | |
| Thanks to these lonesome vales | |
| There's not a swain of the plain | |
| Thou tun'st this world | |
| 'Tis holiday | |
| Turn then thine eyes | |
| We sing to him | |
| What can we poor females do? | |
| When I am laid in earth | |
| Why should men quarrel? | |
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