Cherubini - Cullmann (CHERUBINI-EDITION): Médée (Medea) (1793-97) 165'
Tragédie lyrique in three acts
Music Text Deutsch
Libretto by François-Benoît Hoffmann (F)
Scoring
4S,M,T,BBar,3silent roles; mixed chorus; 2(I=picc).2.2.2-4.0.1.0-timp-strings; 1 additional tbn and thunder machine off-stage
For full details on this stagework, including synopsis and roles, please visit our Opera section.
World Premiere
3/13/1797
Théâtre Feydeau, Paris
Julie Angélique Scio (Médée) / Pierre Gaveaux (Jason)
World premiere of version
3/6/2008
Theater an der Wien, Wien
Torsten Fischer, director / Iano Tamar / Zoran Todorovich / Arnold Schoenberg Chor / Wiener Symphoniker / Fabio Luisi
Repertoire Note Deutsch
The commanding role of Medea provokes both sympathy and dismay; Cherubini’s music draws us into her inner struggle, the dramatic shift from love to devastating hatred. Rather than focussing on the plot itself, however, the opera explores the psychological processes experienced by the characters. With its stylistic diversity, its dark grandeur and sublimity as well as its grand, self-contained musical scenes, Médée points far beyond the operas of Cherubini’s contemporaries. Hence the acclaim for the work expressed by Haydn, Beethoven, Mendelssohn, Schumann, Wagner and Brahms does not come as a surprise; indeed, Brahms went so far as to praise Médée as the “highest dramatic art”.
Press Quotes Deutsch
“Cullmann’s rightly award-winning version removes all these alterations. Now, a sharp, budding piece of music theatre emerges to excite the audience, for which the generic concept opéra-comique is intended – as much for Médée as for Carmen. However, above all, in the Callas recordings of Medea the classical performance style seems bloodless and empty. In Brussels, with Christoph Rousset and his orchestra Les Talents Lyriques, experts in historical performance present the Cullman version for the first time, and already by the F minor overture, this results in a storm of passion breaking the bounds and rules of convention.” Süddeutsche Zeitung
News stories for this title :
Médée in award-winning Cherubini edition
New edition of Cherubini's Medée in Vienna and Brussels
Tragédie lyrique in three acts
Music Text Deutsch
Libretto by François-Benoît Hoffmann (F)
Scoring
4S,M,T,BBar,3silent roles; mixed chorus; 2(I=picc).2.2.2-4.0.1.0-timp-strings; 1 additional tbn and thunder machine off-stage
For full details on this stagework, including synopsis and roles, please visit our Opera section.
World Premiere
3/13/1797
Théâtre Feydeau, Paris
Julie Angélique Scio (Médée) / Pierre Gaveaux (Jason)
World premiere of version
3/6/2008
Theater an der Wien, Wien
Torsten Fischer, director / Iano Tamar / Zoran Todorovich / Arnold Schoenberg Chor / Wiener Symphoniker / Fabio Luisi
Repertoire Note Deutsch
The commanding role of Medea provokes both sympathy and dismay; Cherubini’s music draws us into her inner struggle, the dramatic shift from love to devastating hatred. Rather than focussing on the plot itself, however, the opera explores the psychological processes experienced by the characters. With its stylistic diversity, its dark grandeur and sublimity as well as its grand, self-contained musical scenes, Médée points far beyond the operas of Cherubini’s contemporaries. Hence the acclaim for the work expressed by Haydn, Beethoven, Mendelssohn, Schumann, Wagner and Brahms does not come as a surprise; indeed, Brahms went so far as to praise Médée as the “highest dramatic art”.
Press Quotes Deutsch
“Cullmann’s rightly award-winning version removes all these alterations. Now, a sharp, budding piece of music theatre emerges to excite the audience, for which the generic concept opéra-comique is intended – as much for Médée as for Carmen. However, above all, in the Callas recordings of Medea the classical performance style seems bloodless and empty. In Brussels, with Christoph Rousset and his orchestra Les Talents Lyriques, experts in historical performance present the Cullman version for the first time, and already by the F minor overture, this results in a storm of passion breaking the bounds and rules of convention.” Süddeutsche Zeitung
News stories for this title :
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