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Anna Clyne

Photo Credit: Javier Oddo
b. 1980

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Composes acoustic and electro-acoustic music, combining resonant soundscapes with propelling textures * Has collaborated with cutting-edge choreographers, film-makers, visual artists and musicians * Winner of the 2016 Hindemith Prize * Commissioned and performed throughout the US and around the world * GRAMMY Nomination for "Best Contemporary Classical Composition" in 2015 for Prince of Clouds * Recent honors include commissions from Carnegie Hall, Los Angeles Philharmonic, and the Houston Ballet; awards from ASCAP, the American Academy of Arts and Letters, and SEAMUS; performances by the American Composers Orchestra, London Sinfonietta, Minnesota Orchestra, BBC Concert Orchestra; and residency with Chicago Symphony Orchestra as Mead Composer in Residence.

Works by Anna Clyne include:
This Midnight Hour (2015) for orchestra
Night Ferry (2012) for orchestra
Prince of Clouds (2012) for two violins and string orchestra
Within Her Arms (2008–09) for string ensemble
Rest These Hands (2009) for solo violin or solo cello

For more information and sound samples, please visit http://www.annaclyne.com/.
Looking Ahead: Beltane, a new work for orchestra inspired by the Beltane Fire Festival, will receive its world premiere with the BBC Scottish Symphony Orchestra in December 2017. Also during the 2017-2018 season, This Midnight Hour receives its Italian, Austrian, and UK premieres. Clyne’s recent orchestral work RIFT, which premiered at the Cabrillo Festival last August, will be performed by the Fort Worth Symphony Orchestra in April 2018, first in Fort Worth before the orchestra brings the work to The Kennedy Center in Washington DC for its East Coast premiere.

Additionally, Clyne is composer-in-residence with the Berkeley Symphony and artist-in-residence with National Sawdust. She is developing a new opera, Eva, as part of her OPERA America grant.
"[Anna Clyne is] an artist who writes from the heart, who defies categorization, and who reaches across all barriers and boundaries. Her compositions are meant to be played by skilled musicians and can reach different audiences, no matter what their background."
—Riccardo Muti



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