Noticias de compositores de Boosey & Hawkes

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Louis Andriessen Timeline

A year by year alignment of Andriessen's life and works

The chronological list of works indicates the publisher of each work and provides links for further information on those published by Boosey & Hawkes


 

Born on 6 June in Utrecht into a musical family. His father Hendrik, a composer and organist at the cathedral, instils a fascination with Bach and a love of French music including that of Roussel, Duparc and Chausson. His uncle Willem is a composer and pianist, and his older brother Jurriaan a composer.


1939

 

Netherlands liberated from Nazi occupation, and work of rebuilding Dutch artistic life and culture begins


1945
 

Starts listening avidly to jazz on radio, including Stan Kenton. Family moves to The Hague.


1950
 

Jurriaan returns from USA with collection of early jazz recordings, stimulating a lasting love of bop and cool, including Charlie Parker, Dizzie Gillespie and Miles Davis.


1952
 

Composition studies with his father


1953
 

Writes Sonate for flute and piano, the earliest piece to remain in his catalogue


1956
Sonate for flute and piano Don/BH
 

Begins studies at The Hague Conservatory with Kees van Baaren. Fellow students include Peter Schat, Misha Mengelberg and Hans van Sweeden. Interest in avant-garde develops, particularly radical post-war aesthetic of Boulez and Stockhausen


1957
Elegy for cello or double bass and piano BH
 


 
Nuit d'ete for piano 4-hands Don/BH
 

Composes Séries for two pianos, one of the first Dutch serial works


1958
Series for two pianos Don/BH
 


1959
Percosse for flute, trumpet, bassoon and percussion ms
 


 
Nocturnen for soprano and chamber orchestra BH
 


1961
Ittrospezione I for piano 4-hands BH
 


 
Trois pieces for piano left hand Don/BH
 


 
Aanloop en sprongen (Rincorsa e salti) for flute, oboe and clarinet Don/BH
 


 
Joli commentaire for piano 4-hands ms
 


 
Paintings for flute and piano Moe
 

Wins Conservatory’s composition prize and embarks on studies with Berio in Milan and Berlin


1962
Triplum per chitarra for guitar BvP
 


 
Canzone 3.Utinam for soprano and piano Don/BH


1963
Ittrospezione II for orchestra Don/BH
 


 
Registers for piano Don/BH
 


1964
Ittrospezione III (Concept I) (Concept I) for 2 pianos and ensemble Don/BH
 


 
A flower song III  for cello Don/BH
 


 
A flower song II for oboe Don/BH

 

 


 
Sweet for alto (treble) recorder Sch
 

Returns to the Netherlands and works as composer and pianist in Amsterdam


1965
Double for clarinet and piano Don/BH
 


 
Ittrospezione III (fragment) for 2 pianos and tenor saxophone (ad lib) Don/BH
 


 
Ittrospezione III (Concept II) for 2 pianos and ensemble Don/BH
 


1966
Souvenirs d’enfance Collection of works for solo piano Que
 

Anachronie I, with its references to Italian pop music and its collaging of styles, represents broadening of influences


1967
The Garden of Ryoan-gi for 3 electric organs ms
 


 
Anachronie I for orchestra BH
 

Collaborative musico-political projects with Reinbert de Leeuw, Misha Mengelberg, Peter Schat and Jan van Vlijmen. A concert at the Carre Theatre is surrounded by police suspecting revolutionary activity


1968
Contra tempus for wind ensemble, percussion and improvising ensemble Don/BH
 

Co-operative opera Reconstructie attempts break with conservative Dutch musical tradition. Protest at Concertgebouw concert with the group known as ‘Nutcracker’ against the orchestra’s then scant programming of living composers is quelled by the demonstrators’ ejection from the hall: the composer decides not to write again for conventional symphony orchestra


1969
Reconstructie Opera (with Peter Schat, Jan van Vlijmen, Reinbert de Leeuw, Misha Mengelberg, Hugo Claus and Harry Mulisch) Don/BH
 


 
Anachronie II Musique d’ameublement for oboe and orchestra Don/BH
 


 
Choralvorspiele for barrel organ ms
 


 
Hoe het is [How it is] for live electronics and 52 strings Don/BH


The Nine Symphonies of Beethoven, with an ice cream bell challenging the hegemony of the classics, represents a crisis point: new avenues for a positive synthesis of music and politics are to open up

1970
Spektakel for wind ensemble, percussion and improvising ensemble Don/BH
 


 
The nine symphonies of Beethoven for orchestra and ice-cream seller's bell Don/BH
 


 
Vergeet mij niet [Forget me not] for an oboe/piano player ms
 


1971
In Memoriam Electronic Music Don/BH
 


 
Volkslied for an unlimited number of any instruments Don/BH
 


 
Le voile du bonheur for violin/voice and piano Don/BH
 


1972
De Volharding [Perseverance] for wind ensemble Don/BH
 

Founds wind band De Volharding (Perseverance), to take music out to the people on the streets. The work of that name confronts the new avant-garde of American minimalism for the first time, and initiates a re-examination of unison writing. Starts work on De Staat, which is intended as an objective counterbalance to the ethereal minimalism of Terry Riley.


 
 


 
Thanh Hoa for voice and piano
 

Composes Il Duce and Il Principe, to form a political triptych with De Staat


1973
Il Duce Electronic music Don/BH
 


 
The Family Film music for ensemble ms
 


 
On Jimmy Yancey for wind ensemble BH
 

Begins teaching instrumentation at the Conservatory in The Hague


1974
Il principe for two choirs and wind ensemble Don/BH
 


 
Symfonieën der Nederlanden [Symphonies of the Netherlands] for 2 or more wind bands Mol
 


 
Melodie for treble recorder and piano Sch
 


 
Hymne to the memory of Darius Milhaud for symphony orchestra Don/BH
 


 
Wals for piano Don/BH
 


1975
Workers Union for any loud-sounding group of instruments Don/BH
 


 
Nederland, let op uw schoonheyt [Monuments of the Netherlands] for brass band and/or wind band Mol
 

Experiments at the Conservatory with music written for two symmetrical groups of instruments, leading to founding of Hoketus to rehearse and perform the music’s complex rhythmic interchanges. Completes De Staat whose premiere in Amsterdam provides a defining moment in Dutch new music.


1976
Hoketus for 2 groups of five instruments BH


Starts composing music theatre works for the group Baal, including Matthew Passion, Orpheus and George Sand.

 
 


 
De Staat for 4 women’s voices and large ensemble (1972-76) BH
 


 
Mattheus passie [Matthew Passion] Music theatre ms
 

De Staat wins the Matthijs Vermeulen Prize and the first prize of Unesco’s International Rostrum of Composers.


1977
Orpheus Music theatre Asc
 

Appointed as composition teacher at the Conservatory in The Hague


1978
Symphony for open strings for 12 solo string-players BH
 


 
Laat toch vrij die straat for voice and piano Don/BH
 


1980
Ende for recorder player, playing two alto recorders Asc
 


 
George Sand Music theatre ms
 


 
Erik Satie - Messe des Pauvres arrangement for mixed choir and ensemble Don/BH
 


 
Un beau baiser for chorus Don/BH
 

Reinbert de Leeuw conducts premiere of De Tijd in The Hague. Hoketus tours a programme of Andriessen, Rzewski and Nyman around the UK on the Contemporary Music Network including a concert at the Huddersfield Festival.


1981
De Tijd for female choir and large ensemble (1980-1981) BH
 


 
La Voce for cello Don/BH
 


 
Commentaar for voice and piano Don/BH
 

Completes work with Elmer Schoenberger on Stravinsky study, The Apollonian Clockwork.


1982
Overture to Orpheus for harpsichord Don/BH
 


 
Disco for violin and piano Don/BH
 

Begins work on De Snelheid. John Adams conducts members of the San Francisco Symphony in the US premiere of De Staat.


1983
Trepidus for solo piano BH


 


 
Menuet voor Marianne for piano Don/BH
 


 
Y despues for voice and piano Don/BH
 

De Snelheid premiered by San Francisco Symphony under Edo de Waart. De Staat featured at Tanglewood under Gunther Schuller. Teaches at CalArts.


1984
De Snelheid [Velocity] for large ensemble (1983-84) BH
 

Premiere of De Stijl in Amsterdam


1985
De Stijl (De Materie part III) for 4 women’s voices, female speaker and large ensemble (1984-85) BH
 


 
Berceuse voor Annie van Os for piano Don/BH
 

De Staat performed by New York Philharmonic under Schuller


1986
Dubbelspoor (version for dance) [Double Track] for piano, harpsichord, glockenspiel and celesta Don/BH
 


 
De Lijn [The Line] for 3 flutes ms


Lectures on musical theory and composition in USA at Yale. Hoketus is disbanded. Work continues on De Materie, commissioned for the opening of the new Muziektheater in Amsterdam.

1987
De Materie (Part I) for tenor, 8 voices and large ensemble BH
 


1988
Hadewijch (De Materie part II) for soprano, 8 voices and large ensemble BH
 


 
De Toren [The Tower] for carillon Don/BH
 


 
De Materie (Part IV) for female speaker, 8 voices and large ensemble BH
 

De Materie is premiered in staging by Robert Wilson, conducted by Reinbert de Leeuw


1989
Nietzsche redet for reciter and ensemble Don/BH
 

Composes Facing Death for the Kronos Quartet


1990
Facing Death for 4 amplified strings or saxophone quartet BH
 


 
Flora tristan for chorus Don/BH
 

First collaboration with Peter Greenaway in video film, M is for Man, Music, Mozart, commissioned by BBC TV for the composer’s bicentenary. New series of recordings on Nonesuch inaugurated with De Staat.


1991
M is for Man, Music, Mozart for jazz singer and ensemble BH
 


 
Hout for tenor saxophone, marimba, guitar and piano BH
 


 
Lacrimosa for 2 bassoons Don/BH
 


 
Romance voor Caecilia for piano Don/BH
 

Wins Matthijs Vermeulen Prize a second time. Signs publishing contract with Boosey & Hawkes. Reinbert de Leeuw conducts concert performances of De Materie in Amsterdam, The Hague and Utrecht.


1992
The Memory of Roses for piano and toy piano BH
 


 
Dances for soprano and chamber orchestra BH
 


 
Chorale for solo piano BH
 


 
Deuxieme chorale for hand-operated music box BH
 


 
... not being sundered for soprano, flute and cello BH
 

Festival weekend in The Hague includes the Residentie Orkest in Mausoleum and Nocturnen. Huddersfield Festival feature includes UK premiere of Hadewijch. Documentary film by Peter West and Steve Martland, A Temporary Arrangement with the Sea, is screened on BBC2 TV. Memory of Roses album recorded. Awarded the 3M Music Laureate, then the most prestigious Dutch arts prize.


1993
Lied for solo piano BH


Artistic Director of Meltdown festival at South Bank Centre in London. First UK performance of the complete De Materie consolidates reputation as a major international figure. Featured composer at Tanglewood Festival including US premiere of Hadewijch. Rosa, a first operatic collaboration with Peter Greenaway, is staged at Muziektheater in Amsterdam, with 10 sell-out performances.

1994
ROSA The Death of a Composer [a horse drama] Music theatre work in 2 acts (1993-94) BH
 


 
Zilver for mixed ensemble BH
 


 
Base for piano left hand BH
 


 
A Song of the Sea [Een lied van de Zee] for unaccompanied voice BH
 

Ensemble InterContemporain under David Robertson gives French premiere of De Staat, Ensemble Modern under Sian Edwards the German premiere of De Snelheid. California EAR Unit gives first performance of Zilver in Los Angeles.


1995
De Komst van Willibrord [Willibrord’s Arrival] for carillon BH
 


 
To Pauline O for solo oboe BH
 

Premieres of The Last Day in Amsterdam under Reinbert de Leeuw and TAO in Donaueschingen under Peter Eötvös. Featured composer at Settembre Musica in Turin, including Italian premieres of De Tijd and De Materie. US premiere of De Stijl at BAM Festival in New York and Finnish premiere of De Staat by Avanti. Lectures at Princeton in USA. Nonesuch releases complete recording of De Materie to great critical acclaim.


1996
The Last Day [Trilogy of The Last Day Part I] for 4 male voices, child’s voice, and large ensemble BH
 


 
TAO [Trilogy of The Last Day Part II] for solo piano, 4 women’s voices and ensemble BH
 

Ensemble Modern gives first complete performance of Trilogy of the Last Day in Cologne, the Italian premiere of De Snelheid in Turin, and tours De Staat to Berlin, Frankfurt and Vienna.


1997
dancing on the bones [Trilogy of The Last Day Part III] for children’s voices and ensemble BH
 


 
De Herauten [The Heralds] for brass and timpani BH
 

Dutch premiere of complete Trilogy of the Last Day is 1000th VARA Matinée concert at the Concertgebouw. Revival of Rosa at Muziektheater in Amsterdam. Frank Scheffer film The Way, based on TAO, produced by Allegri Film and AVRO


1998
Odysseus' Women for 4 women’s voices and chamber orchestra BH
 


 
De Eerste Minnaar [The First Lover] for boy soprano and organ BH
 

Completes second operatic collaboration with Peter Greenaway, Writing to Vermeer, which is premiered in Amsterdam in December. Performances and record releases to celebrate 60th birthday.


1999
Writing to Vermeer Opera (1997-99) BH
 

Nonesuch releases first recording of ROSA. Writing to Vermeer staged at Adelaide Festival and Lincoln Center in New York. Collaborates with film-maker Hal Hartley on The New Math(s).


2000
The New Math(s) for voice, flauto traverso, violin, marimba and CD BH
 


 
What Shall I Buy You, Son? for voice and piano BH
 


 
Shopping List of a Poisoner for a singer who also writes BH
 


 
Inanna's Descent for female voice and small ensemble BH
 


 
Feli-citazione for solo piano BH
 

Ars Musica festival in Brussels opens with an all-Andriessen concert. Featured composer at Queensland Festival in Brisbane.


2001
De vleugels van de herinnering - WITHDRAWN [the wings of memory] for voice and piano BH


Andriessen festival at the South Bank Centre in London, including world premiere of La Passione and concert performance of Writing to Vermeer. New books on the composer published by Routledge and Arc.

2002
La Passione for solo voice, solo violin and ensemble BH
 


 
Garden of Eros [Tuin van Eros] for string quartet BH
 


 
A Very Sharp Trumpet Sonata for solo trumpet BH
 


 
Fanfare, to start with for six groups of horns
 


 
Bells for Haarlem for two keyboards and two percussion BH

BH=Boosey & Hawkes
Don/BH=published by Donemus and represented by Boosey & Hawkes in the UK and British Commonwealth, Eire, South Africa and the Western Hemisphere (including but not limited to the USA, Canada, Mexico, Central and South America).
Asc=Ascolta Music Publishing, Houten
BvP=Broekmans & van Poppel, Amsterdam
Moe=Hermann Moeck Verlag, Celle
Mol=Molenaar’s Muziekcentrale, Wormeveer
Que=E.M.Querido’s Uitgeverij, Amsterdam
RHE=Red House Editions, Footscray, Australia
Sch=Schott & Co Ltd, London
ms=manuscript
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