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Steven Mackey
It Is Time

So Percussion
Cantaloupe Records CA 21076

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Steven Mackey
Lonely Motel: Music from Slide

Steven Mackey / eighth blackbird / Rinde Eckert
Cedille Records CDR 90000128

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James MacMillan
Jubilate Deo / Magnificat and Nunc Dimittis / Le tombeau de Georges Rouault

Jonathan Vaughan, organ / Wells Cathedral Choir / Matthew Owens
Hyperion CDA 67867

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James MacMillan
Miserere / Strathclyde Motets / O bone Jesu / Tenebrae Responsories

The Sixteen / Harry Christophers
Coro COR16096

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"The vocal lines, shrouded in a halo of incense-laden atmosphere, are delivered with wonderful fluidity, the sense of organic growth as the verses branch out from their plainchant roots beautifully conveyed, the choral tone warm and comforting
and the overall sound profoundly beautiful" ... "This disc bears testament to a rare
and wonderful relationship between composer, choir and conductor. Long may it continue"
Marc Rochester, Gramophone Magazine, November 2011

James MacMillan
Seraph

Alison Balsom, trumpet / The Scottish Ensemble /
BBC Scottish Symphony Orchestra / Lawrence Renes
EMI Classics 5099967859023 / 5099967859054 Digital

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“The highlight is James MacMillan's "Seraph", with the assertive opening brio
giving way to a more reflective Adagio dialogue between trumpet and violin, before emerging refreshed for the animated closing movement.”
The Independent

James MacMillan
Who Are These Angels? New Choral Music

Mass of Blessed John Henry Newman / Strathclyde Motets II
Cappella Nova / Alan Tavener
Linn Records CKD 383

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Gustav Mahler
Symphony No.7

Royal Concertgebouw Orchestra / Pierre Boulez
RCO Live 12101
(Mahler Complete Symphonies – 11 DVD box)

DVD available from http://sales.codaex.com/rco/catalogusNew.php

Gustav Mahler
Symphony No.7 (ed. Kubik)

Gürzenich-Orchester Köln / Markus Stenz
Oehms Classics OC 652 (SACD)

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Peter Maxwell Davies
Symphonies Nos 4 and 5



Scottish Chamber Orchestra / Philharmonia Orchestra / Peter Maxwell Davies

The orchestra used by Peter Maxwell Davies for his Fourth Symphony is of Classical period proportions, but this relatively compact framework belies a richness of ideas and sonorities. With its starting point in the tone poem Chat Moss, the single-movement Fifth Symphony utilizes a more varied orchestral palette than its predecessor, with a large percussion section often in evidence. Both works are performed here by the orchestras for which they were written.

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Peter Maxwell Davies
Symphony No 1 / Mavis in Las Vagis



BBC Philharmonic / Peter Maxwell Davies

Peter Maxwell Davies’s visionary music has gained him a knighthood, the prestigious position of Master of the Queen’s Music and a leading position among the foremost composers of our time. The two works on this disc, authoritatively conducted by the composer, show two sides of his remarkable musical imagination. The First Symphony is permeated by the presence of the sea and the haunting landscape of his home in the Orkney Islands, while the vibrant theme and variations Mavis in Las Vegas is an exuberant ‘tribute’ to the glitzy gambling capital of the world, in all its hyper-reality.

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Peter Maxwell Davies
Symphony No 2 / St. Thomas Wake



BBC Philharmonic / Peter Maxwell Davies

Sir Peter Maxwell Davies’s Second Symphony is his ‘Sea Symphony’, a complex, virtuosic work that explores in absorbing, increasingly dynamic fashion, the ocean’s proximity and what the composer calls ‘the architecture of its forms’. Both themes and orchestration are masterly. The percussion section is richly voiced, adding considerably to the symphony’s very particular, rugged and varied sound world. St Thomas Wake, by contrast, is a disquieting but bravura exercise in parody, evoking memories of the composer’s experiences during the Second World War.

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Peter Maxwell Davies
Symphony No 3 / Cross Lane Fair



BBC Philharmonic / Peter Maxwell Davies

Peter Maxwell Davies’s Symphony No 3 is the product of symmetry and proportion based on the principles of Renaissance architecture. It is also a dynamic and thrilling seascape, one that both invokes medieval chant and summons up the violent buffeting of the waves, and the stirring cliff-face full of nesting birds. The dual inspirations of proportion and the natural world are seamlessly coalesced, and the Symphony teems with evocative sounds and brooding passages both expansive and time-defying in their beauty. Cross Lane Fair is a lighter work, scored for Northumbrian pipes, bodhran (an Irish drum) and chamber orchestra, inspired by the memories of a fairground that Maxwell Davies visited as a child.

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Peter Maxwell Davies
Symphony No. 6 / Time and the Raven / An Orkney Wedding with Sunrise



Royal Philharmonic / Peter Maxwell Davies

Sir Peter Maxwell Davies’s passionate Sixth Symphony is dedicated to the memory of the writer George Mackay Brown, with the ‘very special musical virtuosity’ of the Royal Philharmonic Orchestra in mind. It is one of his most beautifully expressive works and, whilst not untroubled, reaches moments of serene beauty. Composed for the 50th anniversary of the founding of the United Nations, Time and the Raven is a brilliant and exciting collage, whilst few contemporary works enjoy such popularity as the magical An Orkney Wedding with Sunrise.

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Meredith Monk
Songs of Ascension

Meredith Monk & Vocal Ensemble, voices, instruments
Todd Reynolds Quartet, string quartet
The M6, voices
Montclair State University Singers, voices

ECM New Series 2154

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