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Westerman, Gerhart von

Promethëische Fantasie (1960)

(Promethean Fantasy)

Duration: 170 minutes

Opera in four acts


English   Deutsch  

Libretto by the composer (G)


Scoring

dramS,2lyrS,M,heldT,buffoT,charBar,2B; mixed chorus; ballet; 2(II=picc).2(II=corA).2.2-4.2.3.1-timp.perc-harp-pft-cel-strings; On-stage:2cl(or sax)-solo vln-obl.vln(1-2).db-pft-perc

Abbreviations (PDF)


World Premiere
02/02/1960
Dortmund
Company: Unknown


Roles

PROMETHEUS Character Baritone
HERMES Heldentenor
APHRODITE Dramatic Soprano
A GIRL Lyric Soprano
A YOUTH Lyric Tenor
PHILANDER, an artist (Prometheus) Character Baritone
CORINNA, his wife (Aphrodite) Dramatic Soprano
AMONE, engaged to Marian (A girl) Lyric Soprano
GURELE, Habakuk's lover Mezzo Soprano
HEGEA, her friend Lyric Soprano
Philander's friends: MARIAN (A youth) Lyric Tenor
PERTHES (Hermes) Heldentenor
HABAKUK Bass
PHIBICO Buffo Tenor
DR CLEMENS Bass
Characters of the pantomime: Hephaestus, Prometheus, Soul of the fire, Female servants, Cyclopes

Time and Place

The ancient world; the present, early in the 20th century


Synopsis

Ancient times: Prometheus steals a spark from the fire of the smith Hephaestus with Aphrodite's help and gives it to mankind. Zeus orders him to be forged to a rock for the offence, from which Prometheus has to look down on the mischief his act has brought to mankind.

The present: Philander is admired and respected everywhere as an artist and as a person. But the success goes to his head, changing his character. To follow his instincts in freedom, he separates from his wife Corinna and starts an affair with Amone, the fiancée of his friend Marian, who he has had enough of a few months later, however. Amone takes her own life in desperation. Marian challenges Philander to a duel to avenge Amone's death. Philander receives a fatal wound. Dying, he repents of his deed.

Ancient times: In vain Hermes tries to move Prometheus to a confession of his guilt which would deliver him of his pains. Prometheus stands by his deed which indeed brought pain to mankind, but with pain came love and true life.


Moods

Dramatic, Tragic


Subjects

Contemporary, Mythology, Relationships




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