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Künneke, Eduard

Liselott (1932)

Duration: 120 minutes

Singspiel in six scenes


English   Deutsch  

Libretto by Richard Keßler, based partly on an idea by Heinrich Stobitzer; new version by Gustaf Gründgens (G)


Scoring

3S,2T,buffoT,charactercomic;buffoBar; chorus; ballet; 2(II=picc).1.3sax(or 3cl).1-2.3.1.0-timp.perc-harp-pft-strings (without vla)

Abbreviations (PDF)


Territory

This work is available from Boosey & Hawkes for the world.


World Premiere
25/12/1927
Landestheater , Altenburg
Company: Landestheater Altenburg

World premiere of version
17/02/1932
Admiralspalast, Berlin
Company: Admiralspalast


Roles

PHILIPP, Duke of Orléans, brother of Louis XIV Tenor
KARL LUDWIG, Prince Elector of the Palatinate Character Comedian
LISELOTT, his daughter Soprano
COUNT WALTER HARLING Tenor
FRANÇOISE, Countess of Grançai, stewardess Soubrette Soprano
CHEVALIER DE LA GARDE, the Duke’s seneshal Buffo Tenor
BLANCHE, Liselott’s French lady-in-waiting Soubrette Soprano
TEMPLE, a bandit Buffo Baritone
LOUIS XIV non-singing role
LEONORE, Baroness of Ratsamtshausen, Liselott’s tutor non-singing role
MARQUIS DE BÉTHUNE non-singing role
LACROIX, chief cook non-singing role
MADAME PINARD, housekeeper non-singing role
MADEMOISELLE JÊNE, wardrobe mistress non-singing role
MADAME DUBOIS, an innkeeper non-singing role
JEANETTE, Temple’s girlfriend non-singing role
MARCHESE MICHIELLI, envoy of Venice non-singing role
THE CARIDNAL non-singing role
THE MINISTER OF THE INTERIOR non-singing role
THE MINISTER OF JUSTICE non-singing role
THE POLICE PREFECT OF PARIS non-singing role
A WAITING MAN non-singing role
Court couple
The King’s Ballet

Time and Place

Heidelberg, St. Germain, Paris, Versailles, end of the 17th century


Synopsis

For reasons of national policy, the ‘Sun King’ Louis XIV. wishes his brother Philipp, Duke of Orléans, to marry Liselott, the daughter of the prince elector of the Palatinate. The prince elector knows that the fate of his country depends on this association,. so he urges his daughter into matrimony. Liselott agrees, though she has already crossed many of her father’s strategies, being very attached to the count Walter Harling since her childhood days. Philipp, who cultivates a refined style of life which is close to decadence, is astonished by the free and unladylike behaviour of his German wife. Furthermore, he cannot break away from his mistress. When he and Liselott unexpectedly find themselves in a highly dangerous situation, Liselott saves his life by her courage and her presence of mind. It is but now that Philipp with surprise and admiration realises the upright feelings of his wife, who has fought for him.




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