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Sarlatán

Photo: Amelia Stein

Wexford Festival Opera, 1999, Director: John Abulafia

Haas, Pavel

Sarlatán (1934-37)

(The Charlatan/Scharlatan)

Duration: 125 minutes

Tragicomic opera in three acts


English   Deutsch  

Libretto by the composer; German version by Jaroslava and Thomas Mandl (Cz,G)


Scoring

2S,6T,Bar,2B; small roles; chorus; 2.picc.2.corA.2.bcl.2.dbn-4.3.3.1-timp.perc-harp-cel-strings

Abbreviations (PDF)


Territory

This work is available from Boosey & Hawkes for the world.


World Premiere
02/04/1938
National Theatre, Brno
Rudolf Walter, director
Conductor: Guido Arnoldi
Company: Ensemble of the National Theatre Brno


Roles

DOCTOR PUSTRPALK, travelling quack Baritone
ROSINA, his wife Soprano
BACCALAUREATES Tenor
SOURMILK, cook Tenor
COBWEB Bass
PICKLED HERRING Tenor
FIRE-EATER Tenor
TIGHTROPE WALKER Bass
SNAKE-CHARMER Bass
PHARMACIST Tenor
2 SERVANTS Tenor, baritone
AMARANTA Soprano
JOCHIMUS, monk Baritone
KING Baritone
Town physician, treacle seller, Jochimus's man, 3 students, man with crutches, travelling army doctor small parts
Further small non-speaking parts
Army, crowd, carnival revellers

Time and Place

Europe, turn of the 17th century


Synopsis

The story is set at the end of the 17th century in a Europe laid waste by the 30 years' war and now on the threshold of the Age of Enlightenment. Doctors are either revered as magicians or persecuted as charlatans, according to whether their skills are successful or not. Pustrpalk is such a doctor who plies his trade as a travelling quack, together with Rosina, his harridan of a wife, and a retinue of itinerant entertainers and players, who make the people laugh with their antics and conjuring tricks when, inside, a patient yells as his teeth are pulled. One day, Pustrpalk cures a lady of rank of taedium vitae with a tried and tested remedy. She leaves her boring professor husband, joins the troupe, and is the cause of considerable fuss, for Pustrpalk wants her as his concubine and, to have two women in tow, seldom turns out well... Wherever Pustrpalk goes, he is the hero of the day. Even the King himself applauds him and calls him the greatest man of the times. However, Pustrpalk knows that the times are not great, that the angel of death walks by his side, grinning, and that the church is a hindrance to progress for the human body is still taboo. When a sick monk dies under his knife and the people suspect him of murder, he loses heart. As a 'Don Quixote of medicine', half sage, half jester, he dies a misjudged man in the circle of his grotesque fairground folk.


Moods

Comic, Dramatic, Poetic, Romantic


Subjects

Ethics, History, Politics, Relationships, Religion, Society


Recommended Recording

Vladimír Chmelo / Jan Jezek / Prague State Opera Orchestra / Israel Yinon
Decca 460 042-2


Sarlatán


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