
Photo: Kai-Uwe Schulte-Bunert
Dresden 2005, Peter Kube dir.
Offenbach - Keck
La Belle Hélène (OEK critical edition) (1864)
Opéra-bouffe in three acts
Libretto by Henri Meilhac and Ludovic Halévy; original German version by Ernst Dohm; new German versions by Gunter Selling, Michael Quast, Peter Hacks and Wolfgang Quetes; new English version by Richard Duployen (F,G,E)
Scoring
2S,3S(M),4T,T(Bar),Bar,BBar; 2 speaking roles; chorus;
2(II=picc).1.2.1-2.2.1.0-timp.perc-strings;
Viennese orchestration: 2(II=picc).2.2.2-4.2.3.0-timp.perc-strings.
Abbreviations (PDF).
Territory
This work is available from Boosey & Hawkes for the world.
World Premiere
12/17/1864
Théâtre des Variétés, Paris
Company: unknown
World premiere of version
7/2/2004
Kaiserthermen, Trier
Wolfgang Quetes, director
Conductor: Fabian Dobler
Company: Ensemble Theater Trier
Roles
| PARIS, son of king Priam | Tenor |
| MENELAUS, king of Sparta | Buffo Tenor |
| HELENA, queen of Sparta | Mezzo Soprano (Vienna: Soprano) |
| AGAMEMNON, king of kings | Baritone |
| ORESTES, son of Agamenmon | Soprano oder light Mezzo Soprano |
| CALCHAS, grand augur of Jupiter | Baritone (or Bass Baritone) |
| ACHILLES, king of Phthia | Tenor |
| AIAX I, king of Salamis | Buffo Tenor |
| AIAX II, king of Lokris | Buffo Tenor (or high Baritone) |
| BACCHIS, follower to Helena | Soprano |
| LEOENA, hetaera | Soprano |
| PARTHOENIS, hetaera | Soprano (or Mezzo Sorpano) |
| PHILOCOME, servant of Calchas, responsible for thunder | speaking role |
| EUTHYCLES, balcksmith | speaking role |
| Guards, slaves, people, princes, princesses, women mourning Adonis, Helena’s retinue |
Time and Place
Sparta and Nauplia before the Trojan war
Synopsis
Prince Paris, having given the first prize of a beauty contest on Mount Ida to the goddess Venus ahead of Juno and Minerva, has been promised the most beautiful woman of Greece as a reward from Venus. This news has made its way to Troy where Helena, the wife of King Menelaus, is convinced that this woman must be no-one other than herself. Shortly afterwards, Paris appears in Troy, dressed as a shepherd, and asks the high priest Calchas for help in conquering the city. Paris wins at a ceremonial (though ananchronistic) guessing game, at which numerous classical heroes are gathered, and reveals his identity. Helena expresses her delight with daring coloratura. Calchas makes the thunder machine rumble and declares that Jupiter wishes the instant departure of the king to Crete. Menelaus has evil forebodings, but may not resist the will of the highest god. Paris is free to do what he wants. Now, however, as all obstructions have been removed, Helena appears cold and rejects Paris at night. Soon she repents what she has done and wishes for the fulfilment of her longings, at least in a dream. When that finally comes true, in a very real way, Menelaus returns and enters the marital bedchamber. This time Paris has to withdraw. Helena reproaches her husband for acting against the explicit will of the goddess Venus, and Menelaus begins to wonder whether she may be right. He sends for a priest of Venus from the island of Cythera who is supposed to investigate the case. But the priest, who takes Helena to his ship and abducts her "on behalf of the goddess", is none other than the cunning Paris. The Trojan war can begin, just as described in the schoolbooks…
Moods
Comic
Subjects
Mythology, Relationships, Religion, Politics, Society

