"Considering how deeply composer Sebastian Currier has thought about time, and how important time is to music (according to him, “music is [...] really nothing but time and air, literally”), his own relationship to time, at least in the chronological sense of music history, is somewhat ambiguous. While the myriad details that are crammed into his scores are reminiscent of the elaborate layers found in the Romantic music of the 19th century, and his detailed conceptualizations for pieces seem as thoroughly plotted as those of a post-War total serialist, Currier writes music that very much belongs to our own less certain times. It doesn’t fit neatly into any particular rubric and—in terms of both the ideas that inspire it as well as the actual way it sounds—it clearly relates to the here and now." --Frank J. Oteri, NewMusicBox
Video presentation by Molly Sheridan Transcribed by Julia Lu
This video appears on boosey.com by kind permission of NewMusicBox.
