Trumpet lessons from the age of seven.
1985–86 Studies at the San Francisco Conservatory of Music (composition and theory with Elinor Armer) and at the San Francisco Art College (painting and film).
1987–93 Composition studies at the Vienna Hochschule für Musik und darstellende Kunst
(College of Music and Interpretive Arts). Composition with Erich Urbanner (diploma and master’s thesis: “On the use of film music in ‘L’amour à mort’ by Alain Resnais”) as well as studies at the Electro-Acoustical Institute.
Olga Neuwirth received important impulses through contact with Adriana Hölsky, Tristan Murail, and Luigi Nono.
1993–94 Studies with Tristan Murail in Paris; participation in Stage d’informatique musicale
at Ircam, Paris.
1994 Juror at the Munich Biennale for New Musical Theater; member of the Composers Forum of the Darmstadt Ferienkurse; “Publicity Prize” of the austro mechana
for a CD production.
1996 Guest of the DAAD in Berlin.
Olga Neuwirth was featured in two portrait concerts at the 1998 Salzburg Festival within the framework of the “Next Generation” series.
1999 Promotional Prize of the Ernst von Siemens Foundation, Munich; Hindemith Prize of the Schleswig-Holstein Music Festival.
1999 Premiere of the first full-length opera “Bählamm’s Feast” (libretto: Elfriede Jelinek after Leonora Carrington) at the Vienna Festwochen
1999; Neuwirth received the Ernst Krenek Prize for this work.
Neuwirth’s work “Clinamen/Nodus,” written for Pierre Boulez and the London Symphony Orchestra, was premiered in London in March 2000; it was subsequently heard on a worldwide tour, and is meanwhile available on CD.
2000 Composer-in-residence of the Royal Philharmonic Orchestra of Flanders, Antwerp.
2002 Composer-in-residence at the Lucerne Festival (together with Pierre Boulez).
Premiere of the opera “Lost Highway” after the movie of the same name by David Lynch (libretto: Elfriede Jelinek and Olga Neuwirth) at steirischer herbst 2003
in a co-production with “Graz Kulturhauptstadt 2003" and Theater Basel (Hybrid CD released in 2007 on the KAIROS label).
2002–05 Various theater and film scores – most recently “erik(A)”; diverse portrait concerts in Austria and abroad.
2004 “... ce qui arrive...”: idea and music by Olga Neuwirth, a commission from ECHO (Texts and voice: Paul Auster; Ensemble Modern – with Georgette Dee; Video: Dominique Gonzales-Foerster).
2005 “... le temps désenchanté...ou le dialogue aux enfer”: Sound installation on Place Igor Stravinsky, commission from Centre Pompidou and Ircam, Paris; in addition, a short film-essay
by Olga Neuwirth, with a fragment from René Clair’s film “Paris qui dort” as its point of departure; videoclip to the three songs “no more secrets, no more lies” with Georgette Dee and Ensemble Modern; Portrait-Exhibition “Die Macht der Sprache” (“The power of speech”) together with Valie Export and Elfriede Jelinek in NYC – Austrian Cultural Forum.
2006 Olga Neuwirth was elected a member of the Academy of the Arts, Berlin; The trumpet concerto “... miramondo multiplo...” for the Vienna Philharmonic under the direction of Pierre Boulez and the soloist Håkan Hardenberger premiered at the Salzburg Festival.
2007 US premiere of “Lost Highway” in NYC and Oberlin; Participation in documenta12 in Kassel with the sound installation “... miramondo multiplo...”.
2008 Awarded Heidelberger Künstlerinnenpreis; UK premiere of “Lost Highway” by the English National Opera at the Young Vic (‘South Bank Show Award’ for this production in 2009).
2009 Film music for “Das Vaterspiel ”by Michael Glawogger (world premiere at the Berlinale); world premiere of her viola concerto “Remnants of Songs … an Amphigory” at Graz Musikprotokoll.
2010 Louis Spohr Musikpreis of the City of Braunschweig; Großer Österreichischer Staatspreis.
Lives in Vienna.
Compositions before 2000 and after 2009 are published with Ricordi
For more information from Ricordi, please contact:
G. Ricordi & Co. Bühnen- und Musikverlag GmbH
part of Universal Music Publishing Classical
Stralauer Allee 1
Tel. +49 (0) 30 firstname.lastname@example.org