ABRSM: Baroque Keyboard Pieces, Book I (easy)


Catalogue No: 9781854724588
Shop Product Code: 0649878
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ISBN: 9781854724588

Status: Usually despatched within 24 - 48 hours

Editor: Jones, Richard

Series: ABRSM Baroque Keyboard Pieces

Department: ABRSM - Piano

Publisher: ABRSM

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Grade Exam Music

This product includes pieces featured in grade exams. Click on a grade to view the full syllabus.

ABRSM Organ from 201112 
• a collection of the keyboard music of the period 1600 - 1750, offering a fairly representative selection of the forms, styles and composers of that period
• provides both scholarly performing editions and sources of enlightenment on performance conventions
• edited by Dr Richard Jones, a leading Bach scholar recently lauded for his edition of The Well-Tempered Clavier


Contents and Reviews

  • Duke of York’s March [Anon.]
  • Menuet in D minor, BWV Anh. 132 [Johann Sebastian Bach]
  • Ouverture in F (Suite), BWV 820: 3rd and 4th movements, Menuet and Trio [Johann Sebastian Bach]
  • Ouverture in F (Suite), BWV 820: 6th movement, Gigue [Johann Sebastian Bach]
  • Prelude and Partita in F, BWV 833: 4th movement, Sarabande [Johann Sebastian Bach]
  • The Pilgrim [John Barrett]
  • Air in C [John Blow]
  • Gavott in C [John Blow]
  • Saraband in C [John Blow]
  • Sarabande in F minor [Carl Böhm]
  • Sarabande in F [Jacques Champion de Chambonnières]
  • Aire in C [Jeremiah Clarke]
  • Premier Air pour la Suite du Trophée, from 21st Ordre, ‘Pieces de Clavecin’, Book 4 [François Couperin]
  • Branle de Basque [Louis Couperin]
  • Minuet in G minor [William Croft]
  • Scotch Tune [William Croft]
  • L’Agréable, from ‘Pièces de Clavecin’, Book 1 [Jean-François Dandrieu]
  • Suite No. 4 in C: 9th movement, Suite de la Réjouissance: Gavotte en Rondeau [Louis-Claude Daquin]
  • Corrente prima in D minor [Giralomo Frescobaldi]
  • Menuet in G [Christoph Graupner]
  • Aire in A [Maurice Greene]
  • Saraband in G [William Lawes]
  • Menuet in F, from ‘Pieces de Clavecin’ [Gaspard Le Roux]
  • Gavotte in C, from ‘Les Pieces de Clavessin’ [Nicolas Lebègue]
  • The Simerons Dance [Matthew Locke]
  • Menuet en Rondeau in G minor, from ‘Pieces de Clavecin’, Book 2 [Louis Marchand]
  • Suite No. 12 in F minor: 4th movement, Sarabande [Johann Mattheson]
  • Aria in D [Bernardo Pasquini]
  • Arias in C, C and G (3) [Bernardo Pasquini]
  • Menuet I & II (BWV Anh. 114 & 115) [Christian Petzold]
  • A New Irish Tune, Z. 646 [Henry Purcell]
  • Hornpipe in B flat, Z. T683 [Henry Purcell]
  • Jig in G minor, Z. T686 [Henry Purcell]
  • Prelude in C for the fingering [Henry Purcell]
  • Menuet en Rondeau in C, from ‘Pieces de Clavecin’ 1724 rev. 1731 [Jean-Philippe Rameau]
  • Ayre in C [Benjamin Rogers]
  • Aria in G, from ‘Der getreue Music-Meister’ [Georg Philipp Telemann]
  • Fantasia in A minor, 3rd Dozen, No. 8: 2nd movement, Minuetto [Georg Philipp Telemann]
  • Fantasia in D, Third Dozen, No. 10: 2nd movement, Dolce in D minor [Georg Philipp Telemann]
  • Fantasia in F minor, First Dozen, No. 4: 2nd movement, Dolce in G [Georg Philipp Telemann]
  • Gigue á l’Anglaise, from ‘Der getreue Music-Meister’ [Georg Philipp Telemann]
  • Bourrée: Ouverture in F, BWV 820, fifth movement [Johann Sebastian Bach]
  • Saraband in A minor [Albertus Bryne]
  • Gavotte in G, HWV 491 [George Frideric Handel]
  • Minuet in G, from Partita in G, HWV 450 [George Frideric Handel]
  • Alman in G [Matthew Locke]
  • Song Tune in C, Z. T694 [Henry Purcell / Siavash Beizai]
  • Menuet in A minor, from ‘Premier Livre de Pieces de Clavecin’ [Jean-Philippe Rameau]
  • Sonata in C minor, Kp. 40, L. 357 (Minuetto) [Domenico Scarlatti]
  • Impertinence, HWV 494 [George Frideric Handel]
  • Minuet in A minor, Z. 649 [Henry Purcell]
  • Suite No. 1 in G, Z. 660: 1st movement, Prelude [Henry Purcell]
  • Sonata in D minor, Kp. 34, L. S7 (Minuetto/Larghetto) [Domenico Scarlatti]
  • Sonatina in G, HWV 582 [George Frideric Handel]
  • The Prince of Denmark’s March: Round O [Jeremiah Clarke]
  • Reviews

    "A good introductory guide to the historical context of the pieces and to their appropriate performance... an excellent introduction to the repertoire, and the introductory material and footnotes to its performance practice."

    Musical Times