Contents
Contents: Preface; Prologue: a personal reflection; Introduction; 11-pitch-class tonality; The modal gamut in the 16th century; Tonality and systems in the 17th and early 18th centuries; Tonality and systems in the mid- to late-18th century: the classical ideal; 19th century approaches to 11-pitch-class systems derived from the Viennese classical tradition; 11-pitch-class systems in the music of mid- to late-19th century Romantic composers; The Romantic avant garde and the rumblings of Modernism; Bibliography; Index.Reviews
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