In Double Bind?, my desire is to offer, on the one hand, a glimpse of the inner life of sounds and, on the other hand, a fantasized, manipulated and altered view of the relationship between musician and instrument as well as life "in the wings" of a musician.


As in my preceding work for live instruments and electronics, I have taken an interest here in the playful jumble of the limits between the "real" and the "artificial".


Unsuk Chin