Contents
Contents: Preface; Classifications of musical style during the 17th and early 18th centuries; Kircher's Musurgia universalis (1650) and the stylus phantasticus; The stylus phantasticus in 18th-century writings: Janovka, Brossard, Mattheson, Walther, and Grassineau; The origins of the stylus phantasticus and the style's relationship to rhetoric; The free keyboard works of the north German organ school and the stylus phantasticus; Conclusion; Notes; Bibliography; Index.Reviews
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