Contents
Contents: Introduction; The New Concert Artists; Creative Outlets and the Victorian Ballad; Sarah Glover and the Contribution of Women to Music Education; Mary Wakefield (1853-1910) and the Competition Festival Movement; Ethel Smyth (1858-1944): A Reappraisal; Appendices: Principal Women Singers Appearing in England During the 19th Century; ‘A Valentine’ by Miss Catherine Hansell; Sarah Glover’s Works; Performances of Ethel Smyth’s Music During Her Lifetime; List of Women Composers Referred to in the Text; General Bibliography; Classified Bibliography of 19th-Century Women Writers on Music; References and Notes; Index of Names.Reviews
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