Contents
Contents: Introduction; The Muse as immaculate beloved: Stendhal's 'crystallization' process and listening to Rossini and Beethoven; Schumann, Chopin, the fan of Eros, and the beloved's kiss; The Muse as temptress and redemptress: Sibelius's early symphonic narratives; Mahler's Fifth and Sixth Symphonies: Idyllic fantasies, the sublime, formal mastery, and processes of mourning and reparation; 'She dies': Trauma and erotic elegy in Bartók's pre-First World War music; Names, chords and the 'pale princess' in Debussy's musical language of love; Poulenc's erotics of humour, melancholy, abjection and redemption; Names, chords and Lulu's portrait as Muse; Fetishistic 'Inventions on a Chord': Szymanowski, Schumann, Brahms, Wagner, Weill and Poulenc; Bibliography; Index.Reviews
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