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Catalogue No: BRIDGE9263
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090404926327

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Usually despatched within 10 working days

Department: CDs - Classical CDs

Publisher: Select Music

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Early keyboard virtuoso Malcolm Bilson's latest recording features Dussek's revolutionary “Farewell” Sonata, dedicated to Clementi, Haydn's great E-flat sonata, Hob. 52 21: 10, and Johann Baptist Cramer's delightful variations from The Magic Flute, all played on a replica of a 5 ½ octave English Pianoforte by Longman & Clementi, 1798, built by Chris Maene.

London in the 1790s was a bustling industrial, cultural and musical capital. Johann Baptist Cramer, Muzio Clementi, and Jan Ladislas Dussek, all foreigners, were magnetically drawn to this city with its variegated and sophisticated musical possibilities. These are the first genuine piano virtuosos, and their brilliant pianism and compositions would become known as the London Pianoforte School.

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Contents and Reviews

Contents
Jan Ladislas DUSSEK (1760-1812): Sonata in E-flat Major Op. 44 (“The Farewell”);

J.B. CRAMER (1771-1858): Variations on “Ein Mädchen oder Weibchen wünscht Papageno sich” from Mozart’s Magic Flute;

Joseph HAYDN (1732-1809): Sonata in E-flat Major, Hob. 52 21:10
Reviews

"I downloaded from iTunes the last movement of Dussek's Farewell Sonata, op. 44. Bilson has a marvelously clear sound, and his instrument shows the special character of the different registers, from a deep, resonant bass to the characteristic tinkly, staccato treble of many fortepianos.

I congratulate him for his originality of conception, but I must wonder about the tradition he draws from for such a conception. That is to say, is there such a tradition, that makes a Rondo movement marked Moderato: Allegro ed espressivo into a stopping and starting exercise in free-form tempo variation? I imagine that Bilson interprets "espressivo" as a license to play the movement as a cadenza-fantasy. But in fact, there is enough latent expression in the music to serve an a tempo performance, and Bilson's approach, while successful in a very personal way, detracts from the momentum of the very powerful music. He makes it a bit too precious. Still, a worthwhile listen to a searching musician with an immaculate technique."

Rating:    11/4/2008 By: James Irsay

  

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