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A wonderful piece, which deserves to be as famous as the Papae Marcelli or the Byrd 'Four Part' masses. It has marvellous sonorities and is imbued throughout with the pathos of its model, Gabrieli's own motet on the Prodigal Son. The unusual scoring, SSATBB, which is shared by some of the Penitential Psalms, makes the mass very useful for choirs short of tenors. This completely revised edition, which restores original note values, has been checked against the only complete set of original part books in the Staats- und Stadtbibliothek at Augsburg.

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