Gragnani
Sonatas Op.8 for violin and guitar

Franco Mezzena violin
Massimo Scattolin guitar

With the dawning of the French Revolution came the reinvention of the guitar. Transformed
in form, and equipped with a new set of techniques that saw its archaic tablature system
replaced with mensural notation, the instrument became an instant success with the
listening public of Europe – particularly the middle classes, who used their new power to
ensure its starring role in popular music of the period.

Among the composers now attracted to writing for the guitar’s expanded range of
expression was Filippo Gragnani; born in Livorno in 1768, he first trained as a violinist before
turning to composition. The three sonatas included on this compilation make up Op.8,
and are brimming with melodic inventiveness: composed for violin and guitar, they perfectly
encapsulate Gragnani’s style – maintaining a delicate balance between the rigour of
classical Viennese elegance, Italian cantabile and the energy of galant music. Although the
violin is assigned the bulk of the interest, the guitar has a number of solos that allow its
player to indulge in virtuosic display.

Together with the rhythmic energy of the fast movements and the inspired lyricism of
the central ones, this charming collection of works offers a fascinating glimpse into the
wealth of repertoire composed for the guitar, one of the most popular instruments of
the Napoleonic period. Featuring performances full of gusto and aplomb, the recording
comprises a worthy addition to any serious guitarist’s library.