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Contents: Preface; Introduction. Part I The Falling-Third Cadences in Chant and Polyphony: Gregorian chant; Late 14th- and early 15th-century polyphony; Polyphony from Dufay to Palestrina. Part II The Falling-Third Cadences in Recitative: Monody and recitative in the 17th century; Later recitative; The Appoggiatura. The Conclusions: The 4-3-1 figure in history. Bibliography; Index.
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