Mendelssohn seems to have finally hit the big league in this bicentenary year of his birth. Critical reappraisals of his music have confirmed this somewhat elusive composer as an important Romantic figure, and probably the greatest child prodigy of all time. Hyperion’s contribution to the composer’s rehabilitation includes the acclaimed series of Songs and Duets, now reaching Volume 4.

It is remarkable to realize that compositions by a major composer in the Western canon could go unpublished and unheard for more than 150 years, but that was the sad situation with Mendelssohn—until recently. The pianist Eugene Asti has gathered together 46 previously unknown songs from various stages of this composer’s sadly truncated life.
Through much of the previous century, his songs were often judged against the example of Schubert, Schumann, and Brahms and found wanting, but Mendelssohn’s aesthetic of song was very different from those of his contemporaries. What the newly published works reveal is a willingness to experiment with novel song forms and highly expressive
harmonies, some of which go beyond the graceful and vocally grateful melodies, limpid textures, and strophic forms for which he is best known.

For this disc, Eugene Asti has gathered together a dazzling selection of singers, including some of the most exciting young artists working today. Katherine Broderick, the winner of the coveted 2007 Kathleen Ferrier Prize, has a uniquely beautiful voice, its bloom and agility belying its considerable power.

‘There is much to recommend in this collection. First of all, the songs themselves, some deeper than others, are sweet and forthright, and shown to
their best advantage by the equally sweet and forthright playing of Eugene Asti. Displaying a remarkable ease at the keyboard and a deep sense of
these pieces, he seems to be the inspiring and unifying force behind the entire enterprise’ (Fanfare, USA)