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Subtitle: History, Performance Practice, Analysis
Contents: Preface; Schubert and the example of Mozart, Charles Rosen; Death and the composer: the context of Schubert's supernatural Lieder, Clive McClelland; Notation and performance: dynamic marks in Schubert's manuscripts, Walther Dürr; Tonal implication and the gestural dialectic in Schubert's A Minor Quartet, James William Sobaskie; Schöne Welt, wo bist du?: motive and form in Schubert's A Minor String Quartet, Nicholas Rast; Timelessness and ‘released time’ — Franz Schubert and composition today, Susanne Kogler; Unknown versions of Schubert's early piano sonatas, Walburga Litschauer; Cornered in the middle eight: dance miniaturism vis-à-vis sonata, Brian Newbould; Reading between the lines of tempo and rhythm in the B Flat Sonata, D960, Roy Howat; The Doppelgänger revealed?, Roger Neighbour; Schubert's Pastoral: the Piano Sonata in G Major, D894, Robert Hatten; General Index; Index of works by Schubert referred to in the text.
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