Adding 11ths and 13ths Adding Tension to the V Chord Adding Tension Tones Altered Dominant Chords: 7 Flat-9 and 7 Sharp-5 Applying the New Chords Awesome Repeating Licks B. B. King-Style Fills Boogie in A Call and Response Calls with the E Blues Scale Chuck Berry-Style Fills Combining Pinch Harmonics with Solo Techniques Diminished 7th Chord Turnaround Licks Diminished 7th Chords Dmin6 Arpeggio with D Minor Pentatonic Dmin6 Chord and Construction Dominant 7 Flat-9 Chord Rooted on the 5th String Dominant 7 Flat-9 Chord Rooted on the 6th String Dominant 7 Sharp-5 Chord Dominant 7 Sharp-9 Dominant 7 Sharp-9 Chords Explained Dominant 7 Sharp-9 Rooted on Other Strings Dominant 9th Chords Dominant 9th Chords Rooted on the 6th String Executing Pinch Harmonics Exploring These Licks Further F Lydian Rake Lick Fills Between Vocals Forward Rakes Funk Grooves Using the Dominant 9th Chord Inverting Diminished 7th Chords Jazz-Blues Jam Jazz-Blues Speed Riff Jump Blues Using Dominant 9th and 13th Chords Minor Against Major More Calls and Responses Muted Eighth-Note Shuffle in E Other Diminished 7th Chord Voicings Pick Location and Sound Production Pinch Harmonics Practicing Call and Response Preparing Chords for a Jazz-Blues Jam Putting It All Together Rake Licks Rakes Rakes with Bends Reverse Rakes Sizzling Speed Riffs Speed Riffs and Repeating Licks Stevie Ray Vaughan-Style Fills Targeting Chord Tones Texas Power Rhythm The Diminished 7th Chord Explained The Dominant 11th Chord The Dominant 13th Chord The Dominant 9th Chord Explained The Effects of Changing One Note The I Chord Pattern The IV and V Chord Patterns The Texas Power Rhythm Introduced Transpose Your Licks! Two-Octave Dmin6 Arpeggio Understanding 11ths and 13ths Using the Dominant 7 Sharp-9 Chord