• This disc features beautiful and moving works reflecting on the grief of the Virgin Mary written by great Vivaldi, Pergolesi and Bach. Vivaldi’s Stabat Mater dates from around 1711 or 1712 and he used just the first ten verses of the text, creating one of the most sombre of all settings.
• Bach’s adaptation of Pergolesi’s Stabat Mater uses a contemporary German version of the Biblical Psalm 51. To suit the requirements of the new text Bach made certain alterations to Pergolesi’s vocal parts but retained the scheme of solo arias and duets between a soprano and an alto voice. He also added a new, independent viola part to the score and rewrote the basso continuo, giving the work a new harmonic vitality.
• Pergolesi’s Salve Regina, composed around the same time as the Stabat Mater, and of a similarly expressive, sorrowful style. Of Pergolesi’s two settings of the text, the present one – originally in C minor – is the most well-known, and is here performed in the F minor version for alto voice.
• Daniel Taylor directs the Theatre of Early Music as well as performing himself - “The beauty of his voice will stop you in your tracks.” Gramophone
Contents and Reviews
ContentsVIVALDI: Sonata ‘al Santo Sepolcro’ in E flat major, RV130; Stabat Mater, RV621;
PERGOLESI: Salve Regina; J.S. BACH: Tilge, Höchster, meine Sünden (Psalm 51), BWV1083 (Transcription of Stabat Mater by Pergolesi)
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