ContentsContents: Volume 4, Issue 1: Articles: On the nature of structural hearing, Brian Alegant and Don McLean; Theorizing 'death': the meaning of negation as Hegelian inheritance in Richard Wagner's Musik Als Idee, Anastasia Siopsi; Victorian fairies and Mendelssohn's Midsummer Night's Dream in England, Marian Wilson Kimber; 'Old wine in new bottles': renaissance polyphony in the English Catholic Church during the 19th and early 20th centuries, Thomas Muir; The Enchantress and problem spots in the operas of Tchaikovsky: an interview with David Lloyd-Jones, Donald C. Seibert. Book Review Article: Elgar studies, Byron Adams. Book Reviews: The Cambridge Companion to the String Quartet, editor Robin Stowell, Marianne Betz; Making Words Sing: 19th and 20th Century Song by Jonathan Dunsby, Ryan Ebright; Musical Encounters at the 1889 Paris World's Fair by Annegret Fauser, Helen Julia Minors; Landscape and Gender in Italian Opera: The Alpine Virgin from Bellini to Puccini by Emanuele Senici, Patricia Puckett; Remaking the Song: Operatic Visions and Revision from Handel to Berio by Roger Parker, A.R. DelDonna. Books Received. CD Reviews: Bowen Piano sonata no. 6 in B flat minor Op. 160, 24 preludes Op. 102, Rêverie Op. 86, Joop Celis pf; Bowen Viola concerto in C minor Op. 25, Forsyth Viola concerto in G minor, Lawreance Power va, BBC Scottish Symphony Orchestra, Martin Brabbins cond; Brahms Cello sonata no. 1 in E minor Op. 38, Cello sonata no. 2 in F major Op. 99, Dvoràk Waldesruhe Op. 68 no. 5, Rondo in G minor Op. 94, Suk Ballade in D minor Op. 3 no. 1, Serenade in A major Op. 3 no. 2, Steven Isserlis vc, Stephen Hough pf; Bruckner String quintet in F major (with Harmut Rohde va), String quartet in C minor, Leipzig String Quartet; Busoni, Lustspiel-overtüre Op. 38 for orchestra, Indianische Fantasie Op.44 for piano and orchestra, Gesang vom Reigen der Geister Op. 47, Die Brautwahl Op. 45, Nelson Goerner pf, BBC Philharmonic Orchestra, Neeme Järvi cond; Karlowicz Returning Waves Op .9, A Sorrowful Tale Op. 13, Episode at a Masquerade Op. 14, BBC Philharmonic Orchestra, Gianandrea Noseda cond; Puccini Opera: La Bohème, Sung in German (Munich 1951), Trude Eipperle (Mimi), Karl Terkal (Rodolfo), Wilma Lipp (Musetta), Alfred Poell (Marcello), Karl Hoppe (Schaunard), Hans-Herman Nissen (Colline), Choir and Orchestra of the Bavarian Radio, Clemens Krauss cond; Rachmaninov Piano concerto no. 1 in F sharp minor Op. 1, Piano concerto no. 4 in G minor Op. 40, Rhapsody on a theme of Paganini Op. 43, Piano concerto no. 2 in C minor Op. 18, Piano concerto no. 3 in D minor Op. 30, Stephen Hough pf, Dallas Symphony Orchestra, Andrew Litton cond; Rimsky-Korsakov Four Operas, The Snow Maiden, Boyarinya Vera Sheloga, Bulgarian Symphony Orchestra, Stoyan Angelov cond, The Golden Cockerel, Sofia National Orchestra, Dimiter Manolov cond, The May Night, Kölner Rundfunk-Sinfonie-Orchester, Alexander Lazarew cond. CDs Received; Score Reviews: Der Widerspänstigen Zähmung study score, Hermann Goetz, Lars Franke; Franz Schreker: Lieder (Gesang und Klavier)with introduction and editorial notes by Christopher Hailey, Peter Franklin; Felix Mendelssohn Bartholdy Concerto in E minor for Violin and Orchestra op. 64, 1844/1845, edited by Larry Todd, Stephan D. Lindeman; Franz Schubert, Lieder, vol. 1, edited by Walther Durr. Scores Received.
Volume 4, Issue 2: Fanny Hensel (née Mendelssohn Bartholdy) and her circle: proceedings of the bicentenary conference, Oxford, July 2005: Introduction, Susan Wollenberg; A bicentennial reflection: 25 years with Fanny Hensel, Marcia J. Citron; The diaries of Fanny Hensel and Clara Schumann: a study in contrasts, Nancy B. Reich;The 'power of class' in a new perspective: a comparison of the compositional careers of Fanny Hensel and Josephine Lang, Harald Krebs; Biography and symbol: uncovering the structure of a creative life in Fanny Hensel's lieder, Briony Williams; Genre, romanticism and female authorship: Fanny Hensel's 'Scottish' sonata in G minor (1843), Matthew Head; Fanny Hensel's Op. 6, no. 1 and the art of musical reminiscence, R. Larry Todd; Fanny Hensel's Op.8, no. 1: a special case of 'multum in parvo'?, Susan Wollenberg; Leipziger Straße Drei: sites for music, Beatrix Borchard and Cornelia Bartsch. Review Article: Liszt yesterday and today: Franz Liszt and His World, ed. Christopher H. Gibbs and Dana Gooley; The Cambridge Companion to Liszt ed. Kenneth Hamilton, Jonathan Kregor. Book Reviews: The Mahler Family Letters, ed Stephen McClatchie, Judah E. Adashi; Chromatic Transformations in 19th-Century Music by David Kopp, Jill T. Bratsky; Remaking the Song: Operatic Visions and Revision from Handel to Berio by Roger Parker, A.R. DelDonna; Wagner and the Romantic Hero by Simon Williams, Jeongwon Joe; Books received. CD Reviews: Alice Mary Smith: Symphony in A minor; Andante for Clarinet and Orchestra; Symphony in C minor. Angela Malsbury cl, London Mozart Players, Howard Shelley cond, Sophie Fuller; Coleridge-Taylor, Somervell: Violin Concerto in G minor op. 80; Violin Concerto in G major. Anthony Marwood vn, BBC Scottish Symphony Orchestra, Martyn Brabbins Cond, Michael Allis; Elgar: The Dream of Gerontius. David Rendall ten, Anne Sofie von Otter mezzo sop, Alastair Milne bass, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis cond, Laura Upperton; Mendelssohn: 12 String Symphonies. London Festival Orchestra, Ross Pople cond, Balázs Mikusi; Rachmaninoff: Piano Concerto No. 1 in F# minor op. 1; Piano Concerto No. 4 in G minor op. 40; Rhapsody on a Theme of Paganini op. 43; Piano Concerto No. 2 in C minor op.18; Piano Concerto No. 3 in D minor op.30. Stephen Hough pf, Dallas Symphony Orchestra, Andrew Litton cond, Michael Frith; Stanford: String Quartet Np. 1 in G major op. 44; String Quartet No. 2 in A minor op.45; Fantasy for Horn Quintet in A minor (ed. Dibble); RTÉ Vanbrugh Quartetr: Gregory Ellis vn, Keith Pascoe vn, Simon Aspell va, Christopher Marwood vc, Stephen Stirling hn, Séamas de Barra; CDs received. Score Reviews: Robert Schumann, Fantasy Pieces op.73 for Piano and Clarinet, version for violoncello, edited by Ernst Herttrich, fingering for piano part by Hans-Martin Theopold, fingering and bowing of violoncello part by Reiner Ginzel, Lars Franke; Scores received.
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