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Zon, Bennett: Nineteenth-Century Music Review V (Ashgate Books) Paperback

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Catalogue No: 9780754664857

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Subtitle: Volume 5, Issues 1 & 2 Nineteenth-Century Music Review

Department: Biographies & Reference - Books & Literature (Classical)

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Contents and Reviews

Contents
Contents: Volume 5, Issue 1: Articles: The entrepreneur-conductors and their orchestras, John Spitzer; A British child's music education, 1801–1810: G.B. Viotti, Caroline Chinnery, and the French influence, Denise Yim; Process and product in theology and musical aesthetics: improvisation as interdisciplinary topos, Adrian Cyprian Love; Wackenroder and the doctrine of the soul, Kevin O'Regan. Book Reviews: Two Companions to Italian Opera: The Cambridge Companion to Rossini, edited by Emanuele Senici; The Cambridge Companion to Verdi, edited by Scott L. Balthazar, Francesco Izzo; The Incredible Band of John Philip Sousa by Paul Edmund Bierley, Patrick Warfield; Dance and Dancers in the Victorian and Edwardian Music Hall by Alexandra Carter, Robynn Stilwell; Mimomania: Music and Gesture in 19th-century Opera by Mary Ann Smart, Denise P. Gallo. Books Received. CD Review Article: Elgar's recordings, Simon Trezise. CD Reviews: American Tone Poems: Louis Coerne, Excalibur Op. 180; Edward Burlingame Hill, Stevensonia Suite No. 1 Op. 24; Horatio Parker, A Northern Ballad Op. 46; John Alden Carpenter, Sea Drift, Royal Philharmonic Orchestra, Karl Krueger cond, John Graziano; Berlioz: Symphonie Fantastique Op. 14; Harold en Italie Op.16, Tabea Zimmerman va, Orchestre de Paris, Christoph Eschenbach cond, Julian Rushton; Brahms: Trio in A minor for viola, cello and piano Op. 114; Viola Sonata in F minor Op. 120, No. 1; Viola Sonata in E flat major Op.120 No. 2; Lawrence Power va, Tim Hugh vc, Simon Crawford-Phillips pf, Elaine Kelly; Chaminade: Piano music Vol.1, Peter Jacobs pf, Steven Baur; Liszt: Dante Sonata; Petrarch Sonnets 47, 104 and 123; Mephisto waltz No. 1; Impromptu (Nocturne); Valse impromptu, Song transcriptions: Frülingsnacht (Schumann), Widmung (Schumann); Hungarian Rhapsody No. 2, Jon Nakamatsu pf, Shay Loy; Mendelssohn: Piano Trio No. 1 in D minor Op. 49; Piano Trio No. 2 in C minor Op. 66; The Florestan Trio, Anthony Marwood vn, Richard Lester vc, Susan Tomes pf, R. Larry Todd; Rossini: Elisabetta Regina d'Inghilterra: Jennifer Larmore (Elizabeth mezzo), Bruce Ford (Leicester ten), Majella Cullagh (Matilde sop), Antonino Siragusa (Norfolk), Manuela Custer (Enrico mezzo ), Colin Lee (Guglielmo ten ), Geoffrey Mitchell Choir, Guiliano Carello cond, Cormac Newark; Rossini: Il Signor Bruschino: Alessando Codeluppi (Florville ten), Maurizio Leoni (Gaudenzio bass), Elena Rossi (Sofia sop ), Dario Giorgelè (Signor Bruschino bass), Antonio Marani (Filberto bar), Clara Giangaspero (Marianna mezzo), Massimiliano Barbolini (Bruschino Figlio ten ), Vito Martino (Commissario ten), Il Virtuosi Italiani, Claudio Desderi cond, Andreas Giger; Richard Strauss: Metamorphosen (version for string septet); Piano Quartet in C minor Op. 13*; Prelude to Capriccio Op. 85, The Nash Ensemble, Marianne Thorsen vn*, Malin Broman vn, Lawrence Power va*, Philip Dukes va, Paul Watkins vc*, Pierre Doumenge vc, Duncan McTier db, Ian Brown pf*, David Larkin; Verdi: A Masked Ball: libretto, Antonio Somma, English translation , Amanda Holden; Dennis O'Neill (Gustavus III, King of Sweden ten) Anthony Michaels-Moore (Count Anckarstoem bar), Susan Patterson (Amelia sop), Jill Grove (Ulrike Arvidson mezzo), Linda Richardson (Oscar sop ), Christopher Purves (Count Ribbing bar), Brindley Sherratt (Count Horn bass ), Roland Wood (Cristian bar ), Ashley Catling (Amelia's servant/Lord Chief Justice ten), Geoffrey Mitchell Choir, David Parry cond, Roberta Montemorra Marvin; York Bowen: Piano Sonata No. 6 in B flat minor Op. 160; 24 Preludes Op. 102; Rêverie Op. 86, Joop Celis pf, Michael Allis. CDs Received. Score reviews: Beethoven, Piano Concerto in D Major, Op. 61A, ed. Hans Werner Küthen; Beethoven, Piano Concerto in D Major, Op. 61A, ed Hans Werner Küthen; piano reduction, Jürgen Sommer; fingering Klaus Schilde, Robin Stowell; Edward Elgar, Concerto in E minor for violoncello and orchestra Op. 85, ed. Jonathan Del Mar, Eric Saylor. Robert Schumann, Waldszenen Op. 82, editorial notes by Margit L. McCorkle, Eric Frederick Jensen. Scores received.

Volume 5, Issue 2: Articles: Introduction, James William Sobaskie; A surfeit of musics: what Goethe's lyrics concede when set to Schubert's music, Robert S. Hatten; Swan songs: Schibert's 'Auf dem Wasser zu singen', Susan Youens; 'In dunklen Träumen': Schubert's Heine-Lider through the psychoanalytical prism, Xavier Hascher; Schubert's self-elegies, James William Sobaskie. Book Reviews: John Michael Cooper, Mendelssohn, Goethe and the Walpurgis Night: The Heathen Muse in European Culture, 1700–1850, James Garratt; Daniel M. Grimley, Greig: Music Landscape and Norwegian Identity, Dan Shore; Susan Rutherford, The Prima Donna: 1815–1930, Patricia Puckett Sasser; Charles Youmans, Richard Strauss's Orchestral Music and German Intellectual Tradition: The Philosophical Roots of Musical Modernism, David Larkin. CD Reviews: Franz Schubert (1797–1828) The Complete Songs, Hyperion Records Ltd, 40 compact discs: 1-6, James Parsons; 7-12, Susan Wollenberg; 13-19, Suzannah Clark; 20-26, David Gramit; 27-31, Susan Youens; 32-34, Lorraine Byrne Bodley; 35-38, Richard Kramer. Score Reviews: Review of Gustav Mahler, Symphonie Nr. 5, Sämtliche Werke. Kritische gesamtausgabe. Band V, ed Reinhold Kubik, Jeremy Bahram; Gustav Mahler, Symphinie Nr. 10. Rekonstruktion und Orchestrierung nach Mahlers Entwurf von Rudolf Barshai (2001), Susan M. Filler.
  

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