Contents: Preface; The divided tonic in the 1st movement of Beethoven's Op. 132, Frank Samarotto; Types, tokens, and Figaro: musical structure and dramatic narrative in the Act I trio from Mozart's Marriage of Figaro, Matthew Shaftel; Mahler's 3rd Symphony and the dismantling of sonata form, William Marvin; Motivic design and coherence in the 1st movement of Schubert's 'Arpeggione' sonata, D. 821, Evan Jones; Reading Mozart's piano sonata in D major (K. 311) 1st movement, Neil Minturn; Design and structure in Schubert's sonata forms: an evolution toward integration, Gordon Sly; On Chopins 4th Ballade, Edward Laufer; Committing to opening theme possibilities: how Beethoven's sketchbook struggles are reflected in 2 symphonic movements, Alan Gosman; A-Major events, Brian Alegant; Index.