Klebe, Giselher
Die Ermordung Cäsars (1964-65)
Opera in one act
Libretto by the composer, after Shakespeare in the translation by August Wilhelm von Schlegel (G)
Scoring
T,buffoT,3Bar,2B,3sprechstimme-mixed chorus
1.picc.1.1.ssax.asax.tsax.2barsax.1.dbn-4.2.btpt.3.1.2ttuba-timp.perc-pft-4vlc.4db-several tapes
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Abbreviations (PDF).
Territory
This work is available from Boosey & Hawkes for the world.
World Premiere
9/20/1959
Essen
Conductor: Gustav König
Company: Ensemble Theater Essen
Roles
| CAESAR | Baritone |
| MARC ANTON | Baritone |
| PUBLIUS and POPILIUS LENA, senators | Sprechgesang, Speaking role |
| Conspirators against Caesar: BRUTUS, CASSIUS, CASCA, DECIUS and METELLUS CIMBER | Baritone, Buffo Tenor, Bass, Speaking role, Speaking role |
| A FORTUNE-TELLER | Bass |
| CINNA, a poet | Tenor |
| People of Rome |
Time and Place
Rome in March 44 B.C.
Synopsis Metellus Cimber asks for mercy for his brother who has been sent into exile by Caesar. Caesar wants to make an example of him and stands firm. Some friends of Cimber, who are carefully planning a conspiracy against Caesar, join the petition for mercy. When Caesar remains merciless even towards Brutus, the conspirators attack the emperor and stab him to death. Brutus tries to justify the deed to the people of Rome. The tyrant had to be done away with not because he did not love Caesar but because he loved Rome more. Marc Anton, a retainer of Caesar, goes up to the speaker’s desk. With rhetorical feats (‘Brutus is a respectable man’) he manages to turn the public sentiment round and to incite the crowd against the conspirators. The assassination, which was supposed to bring liberation, inevitably ends up in catastrophe. Chaos and anarchy befall Rome.
Moods
Dramatic, Tragic
Subjects
Relationships, Politics, Society, Literary
Items on Sale
| Ermordung Caesars Op. 32 | Libretto | > Details |
| Ermordung Caesars Op. 32 Oper nach Shakespeare be | (Vocal Score) | > Details |
