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Offenbach - Keck

Oyayaye ou La Reine des îles (OEK critical edition) (1855)

Opéra-bouffe in one act

Libretto by Jules Moineaux (F)

Scoring
available in a version for voices, piano and obbligato double bass (orchestration in preparation).
Abbreviations (PDF).


Territory
This work is available from Boosey & Hawkes for the world.



World Premiere
6/26/1855
Folies-Nouvelles, Paris
Company: unknown

Roles

RACLE-A-MORT
The Queen OYAYAYE


Time and Place
An isle


Synopsis
Racle-à-mort, a double-bass virtuoso, has missed his solo at the Paris Théâtre de l’Ambigu-Comique, so he gets the sack and takes to the sea. He eventually finds himself on a South Sea island where he is caught by the indigenous people. They threaten to boil him in a soup when he fails to entertain them. When Oyayaye, the ogre queen, enters with her retinue, he passes her a note which is stuck in his boot: he tells her it is a poem he has set to music (in fact, it is a bill from his washer-woman). Oyayaye, however, loses her patience, and even a song accompanied by the double bass only strengthens her desire for the ritual cooking ceremony. In his distress, Racle-à-mort begins to accompany the ceremony on self-carved cane flutes. The cannibals are enchanted, throw their arrows away and take the flutes to accompany their wild dance. Racle-à-mort, unobserved, collects the arrows and rides his double bass to the coast, raising his handkerchief as a sail.


Moods
Comic


Subjects
Society





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