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Photo: Monika Rittershaus
Berlin 2006 (WP of version), Jetske Mijnssen dir.

Valtinoni, Pierangelo

Pinocchio (2001, rev.2006)

Duration: 100 minutes
Opera in two acts

Libretto by Paolo Madron with the collaboration of Jetske Mijnssen, based on 'Le avventure di Pinocchio' by C. Collodi; German version by Hanna Francesconi; English version by Benjamin Gordon; Spanish version by Pablo Valdes (I,G,E,S)

Scoring
2S,M,T,BBar,B,14 child soloists; children's chorus; 1.1.1.1-2.1.0.0-perc(2):I=bongos/2cowbells/2SD/claves(susp)/congas/glsp(C#3,D3)/whip/pedal dr/hi-hat/susp.cym/tamb/military dr/3timp/4tom-t/tgl/wdbl; II=cowbell/aeolian chimes/t.bells(F1-G1)/SD/claves(susp)/congas/cyms/glsp/lg parade dr(with cym)/guiro/maracas/4metallophones(SSAB)/susp.cym/ratchet/tamb/tgl/wdbl-pft-strings.
Abbreviations (PDF).


Territory
This work is available from Boosey & Hawkes for the world.



World premiere of version
11/5/2006
Komische Oper, Berlin
Jetske Mijnssen, director
Conductor: Anna-Sophie Brüning
Company: Ensemble Komische Oper

Roles

PINOCCHIOSoprano
GEPPETTOBass/Baritone
THE FAIRYSoprano
THE CATMezzo-Soprano
THE FOXTenor
MANGIAFUOCOBass
LUCIGNOLOchild’s voice
Two Policemenchildren’s voices
ARLECCHINOchild’s voice
PULCINELLAchild’s voice
INNKEEPERchild’s voice
SNAILchild’s voice
Dr RAVENchild’s voice
Dr OWLchild’s voice
Four Hareschildren’s voices
TUNA FISHchild’s voice
The Speaking Cricket, Choir of Marionettes, Choir of Wayfarers to Schlauraffen Land, Choir of Fishchildren’s chorus


Synopsis
The woodcarver Geppetto has created an animated puppet called Pinocchio. Geppetto sends Pinocchio, who can move unaided, to school, but Pinocchio prefers to go to the puppet theatre instead. Mangiafuoco, the director, is fed up with telling the same fairytales over and over again and gives Pinocchio money so that he can travel around the world and find new stories for him. Pinocchio is robbed by two scoundrels and has to flee from the police because he is unable to pay for his meal at the inn. A pigeon takes him to the fairy’s house, but by the time the snail opens the door for him, Pinocchio has frozen stiff in the cold outside.

After the animals have already prepared his burial, the fairy revives him. Pinocchio denies all of his foolishness, but his nose keeps on getting longer. The fairy exhorts him not to lie anymore.

Pinocchio continues his journey and meets his old friend Lucignolo. The two boys plan to travel to the place where every wish is fulfilled instantaneously and no one has to go to work or school. However, the land of the idle turns out to be an illusion conjured up by an evil sorcerer, who catches the children and turns them into donkeys. Distraught at his new appearance, Pinocchio throws himself into the sea, the fish nibble off his donkey’s ears and, finally, he is gobbled up by a shark. In the shark’s stomach, he finds Geppetto, who has been searching the world high and low for Pinocchio for years. Pinocchio regrets what he has done and carries the old man out on his shoulders. Now that he has saved his father, he is now fully a human being.


Press Quotes

“A story of fables and animals comes to life…” Märkische Allgemeine

“The Italian composer retells the famous classical story by Carlo Collodi in an entirely fresh fashion, with 57 child actors and five adult roles. Framed by a velvety blue stage, the wooden puppet … experiences, in the truest sense of the word, utterly beautiful adventures… The individual, short scenes enable even smaller children to get involved in the story… The staging never aims for a cheap laugh and avoids sentimentality… Cheerful, totally free of false pathos…” Mitteldeutsche Zeitung

“The production was an immediate success with the audience (10 minutes of cheers, applause and stamping of feet at the end)… In his gentle music Valtinoni follows a little the great masters of musical fairy tales: there is much of Maurice Ravel in the sparkling piano introduction played against the pizzicato strings and in the brass solos, both sad and beautiful. This music, however, is simpler and more direct, slightly leaning towards Puccini and Bernstein…” Berliner Zeitung


Moods
Poetic


Subjects
Magic/Mystery, Literary





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