In this book's eighteen progressively arranged character studies, the mandolin student will find, besides a great number of aspects of the idiomatic technique of the instrument (i.e., changes of fingering positions, double stops, tremolos, arpeggios, legatos, chords, etc.), no less than fourteen different styles. All of the pieces are presented first in notation only as mandolin/guitar duets, followed by the mandolin part repeated with tablature.