Search Shop

Advanced Search

Browse shop

Composer A-Z

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Other shops

AV Clip Info

Shelley Hanson: Volver a La Montana

Audio Visual

More by this composer

$110.57 *

* Estimated price converted from UK retail price

Catalogue No: M051660469
ISMN: 9790051660469
Shop Product Code: 2403194

Status:
Usually despatched within 7 working days

Series: Windependence

Department: Wind, Brass & Band - Symphonic Band Set

Instrumentation: Symphonic Band (score & parts)

Publisher: Boosey & Hawkes (New York)

More Product Details

Volver A La Montana (Return to the Mountain) is based on several folk tunes of the Quechua ("Inca") people of Ecuador, Peru, and Bolivia. Near the end of the movement, the folk song Sepracion (Separation) is quoted briefly. The words are "My mother told me no to cry, though I'm leaving the mountains forever." Over the past century, many of the Quechua people have had to leave their villages forever because of the economic difficulty of trying to maintain their traditional mountain lifestyle.

The movement opens with a stately processional, followed by a fast dance that uses the characteristic Latin American alternation or simultaneous appearance of two- and three-beat patterns. In the return to the processional theme near the end of the movement, muted trumpets echo the flutes, as sound would echo in the mountains.

Show

Contents, Sound Samples and Reviews

Shelley Wilson

Reviews

Submit a customer review
The best review of the month wins a 20% discount off their next order

Volver a la Montaña by Shelley Hanson is the second movement of the four-movement suite Islas y Montañas. Based on several folk songs of the Quechua (Inca) people of Ecuador, Peru, and Bolivia, the composition begins with a brief flute solo leading to a stately processional (quarter note = 52-54) featuring mixed meters (4/4 and 3/4). A contrasting, lively dance section (dotted quarter = 138-148) incorporates characteristic Latin-American rhythms. The processional returns in the final section, muted trumpets echo the flute passages similar to the way sound echoes in the mountains. This vibrant composition has rhythmic interest, a variety of tone colors, and interesting lines for all sections, and percussion scoring includes timpani, bombo (Andes drum) or bass drum or floor tom, vibraphone, optional xylophone and optional marimba.

The Instrumentalist