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This book is an excellent study of the history and unique musical stylings of the Hawaiian guitar. Stacy Phillips successfull y pinpoints the characteristics of Hawaiian guitar solos. A special feature is the inclusion of a superb historical survey of Hawaiian music. Written in tablature only G tuning. DeWitt Scott comments: "There are two types of Hawaiian music the 'aut hentic' style and the 'tourist' style. Stacy is presenting the 'authentic' style.