With Granica, Enjott Schneider presents a work in which three instruments play alongside each other in a concertante manner on an equal basis. As in most of his pieces, he makes careful use of contemporary playing techniques and combines turbulent passages with quiet, narrative phases. The one-part work starts with a 'dance of life', so called by Enjott Schneider. In the course of the piece, this lively, dynamic dance changes and eventually disappears in the 'depths of death'.