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•This is the FIRST COMPLETE RECORDING of Viotti’s works for flute and piano.

•Although Viotti’s favoured field for experimentation was the concerto, his chamber works are also affected by a gradual transformation. Here, a first moment of cohesion to the stylistic features of the time (echoing the style of Mozart) gives way to a more personal phase in which the heightened drama poses a prelude to Romanticism.

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