Contents
Contents: Pitch notation; The social and musical background: Origins and early days; From Smith to status symbol; The Handel/Snetzler era; Designed to impress; A slow decline; Construction: Aspects of organ-building; The organs: A Catalogue: Introductory note; 1600–1660; 1660–1710; 1740–1780; 1780–1830; Appendices: A note on chamber organs in Scotland; Who were Longman and Broderip?; Some chamber organs on CD; Gazetteers; Supplementary bibliography; Index.Reviews
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