Translation: Engl. (S. Wadsworth) (1988) / (Norbert Rubesaat) (1993);
French (Jean-Pierre Wurtz) (1997)
Place and time: Jail München-Stadelheim, in the hour before the execution on 22nd February 1943

Characters: Sophie Scholl (soprano) / Hans Scholl (baritone or tenor)

»Weiße Rose« (White Rose) was the name of the resistance group to which Hans and Sophie Scholl belonged.

Udo Zimmermann’s composition is characterized by the varying structure of its scenes: dramatic, visionary scenes, e.g. the remembered wartime experiences on the front, Sophie’s anxiety about the removal of the children and the wish to see her parents one last time, contrast with contemplative monologues that are intended to provide insights into the individual’s particular situation. The composer interweaves into the structure of the piece dream sequences with sudden bursts of anxiety that are not triggered by the execution that is about to take place but by the consequences of one’s own actions. The result is a deliberate fusion of the various parts into one another.
More than 100 different productions prove that the topic is as important as ever and that the work is both artistically rewarding and practicable.

Udo Zimmermann About the piece
Two young people, the siblings Sophie and Hans Scholl, are in a prison cell, one hour before they are to be put to death by their fascist executioners. Their christian convictions and sense of responsibility gave them the courage to put up resistance, resistance against the lies, the contempt for humanity and all human values. Sophie and Hans Scholl took their stand in the full knowledge that they were taking a deadly risk. They would simply not have been able to live with their feelings of shame had they not grasped the chance of fighting for what they believed in, even though it was a dangerous thing to do. Memories of past events, doubts, hopes and fears, justification of deeds and an acceptance of death, all these things happen and move in, and between, these two people during this representation of the hour before death. The orchestra provides a psycho-physical shorthand of their inner mental state. Musical effects and gestures search for their identity in human behaviour. The moments of stillness and silence provide moments of musical tension, which are just as powerful as the eruptions of fear and desperation.