Soloists: lyric sop.T.bar. Chorus: SATB (minimum 40)
Orchestra: 2(II=picc).picc.soprano recorder*.alto recorder*.2(II=corA).3(III=bcl).2(II=dbn)-220.127.116.11-timp.perc(4):I= glsp/wdbl/claves/pedal BD/SD/2susp.cyms/2tuned bongos (or roto toms)/tom-t/shaker/3 tpl.blks/cowbell/bongo/maracas/BD/2 Japanese Bowl gong/Chinese cym/2tgls/slapstick;II= chimes/tgl/tamb/wdbl/susp.cym/rainmaker (med.)/BD/cast/bongo/SD; III=maracas/tamb/rainmaker (low)/high tgl/low tubular wind chimes; IV=shaker/rainmaker (low)-harp-cel-strings(min: 18.104.22.168.5)
*OPTIONAL: recorder players play some very simple percussion (rain sticks, etc.), or they can play only recorder
NOTE: The hiring of a sound designer is a condition/requirement for permission.
For complete technical specifications go to: mhgrey.wordpress.com
Halle E im MuseumsQuartier, Wien
Peter Sellars, director / Jessica Rivera, soprano / Russell Thomas, tenor / Eric Owens, baritone / Orquesta Sinfónica Juvenil Simón Bolívar / Schola Cantorum de Caracas / John Adams
“The score is opulent, dreamlike, fiercely lyrical, at times shadowy and strange – unlike anything that the fifty-nine-year-old composer has written…”
The New Yorker
“…some of the most ravishingly beautiful passages of music that Adams has yet composed… [He] continues to develop and surprise — something of a late-flowering tree himself.”
"...a radiant sunburst of orchestral beauty. This score abounds in ravishing music, some of the most purely gorgeous music of recent years. ...Adams has grown into possibly our finest living composer. He never utilizes anything other than an utterly appropriate compositional element, a hallmark of this score's beauty and poise."
"...this is Adams' most sensuous, spacious and evocative score, with delicate and colorful instrumentation evoking 'world music,' primitive rhythms echoing Stravinsky and mystical chanting for the chorus."
-- Janelle Gelfand, Cincinnati Enquirer