for soprano, 8 voices and large ensemble
Music Text Hadewijch's Seventh Vision, from 'Het Visionenboek van Hadewych' (Dutch)
ScoringSolo S-2S.2A.2T.2B
3.2.2corA.5.2bcl.dbcl.0-4.4.4.1-bass gtr-perc(5):glsp/t.bells/vib/
7gongs/snare dr/guiro/string dr/large rattle/large slapstick/bell
tree/tam-t-harp-2pft-2synth-2gtr-strings(2.2.2.2.1)
Ensemble should be balanced by electronic amplification
World Premiere6/1/1989
Muziektheater, Amsterdam
Wendy Hill, soprano / Materie Orkest / Reinbert de Leeuw
Composer's Notes Hadewijch is the second part of the large four-section work
De Materie (Matter) but can also be performed independently.
The text is one of the visions of
Hadewijch, a 13th-century Dutch mystic poetess, and expresses her passionate vision, both spiritual and erotic, of union with Him.
The composition is organised to mirror the architectural plan of the cathedral of Reims in France. The intervals of time between the chords of the pianos, tuned percussion and guitars, which ring through the canvas at set points, have the same proportional relationship as the distance in space between the cathedral’s pillars.
Louis Andriessen
Reproduction RightsThis programme note can be reproduced free of charge in concert programmes with a credit to the composer
Press Quotes "What is impressive about
Hadewijch is its real sense of musical depth and substance... its wonderfully coloured and subtly varied harmonic chimings, and a kind of long-drawn diatonic melodic innocence..."
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