Boosey & Hawkes New PublicationsBoosey & Hawkes Publication of the Month
FEATURED SERIES
Boosey Wind and Brass
Betty Bertaux Choral Series
Big Beats
Boosey & Hawkes Anthology Series
Boosey Wind & Brass Method
Choral Music Experience
Essential String Method
Fiddler Collections
Masterworks Library
Microjazz
Musical Postcards
OEK (Offenbach Edition Keck)
Old MacDonald's Recorder Method
Orpheus - A Children's Musical (CD-ROM)
Schott Essential Exercises
Simrock Classical chamber repertoire
Singing Sherlock
Windependence
 Hanson, Shelley - Volver a la Montana
description: Symphonic Band (full score)

ISMN9790051660452
PublisherBoosey & Hawkes (New York)
SeriesWindependence
Availability: Stock Title
Buy Now
[Find your local music shop]




  
 



Volver A La Montana (Return to the Mountain) is based on several folk tunes of the Quechua ("Inca") people of Ecuador, Peru, and Bolivia. Near the end of the movement, the folk song Sepracion (Separation) is quoted briefly. The words are "My mother told me no to cry, though I'm leaving the mountains forever." Over the past century, many of the Quechua people have had to leave their villages forever because of the economic difficulty of trying to maintain their traditional mountain lifestyle.

The movement opens with a stately processional, followed by a fast dance that uses the characteristic Latin American alternation or simultaneous appearance of two- and three-beat patterns. In the return to the processional theme near the end of the movement, muted trumpets echo the flutes, as sound would echo in the mountains.
Press Reviews

Volver a la Montaña by Shelley Hanson is the second movement of the four-movement suite Islas y Montañas. Based on several folk songs of the Quechua (Inca) people of Ecuador, Peru, and Bolivia, the composition begins with a brief flute solo leading to a stately processional (quarter note = 52-54) featuring mixed meters (4/4 and 3/4). A contrasting, lively dance section (dotted quarter = 138-148) incorporates characteristic Latin-American rhythms. The processional returns in the final section, muted trumpets echo the flute passages similar to the way sound echoes in the mountains. This vibrant composition has rhythmic interest, a variety of tone colors, and interesting lines for all sections, and percussion scoring includes timpani, bombo (Andes drum) or bass drum or floor tom, vibraphone, optional xylophone and optional marimba.
The Instrumentalist


[Tell us what you think]
Mailing List

Sign up for news updates and offers via email

SIGN UP
Featured Composer

Serge Prokofieff

Popular Russian composer of Classical Symphony, Peter and the Wolf and the ballet Romeo and Juliet

READ MORE
Music While you Surf

Explore the best classical music with our free radio player

LISTEN NOW
FAQ | Contact Us | Links | About Us | Shop Directory | Careers | Terms of use | Help | RSS Index